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Contents of Case 28: 24 objects

Special Exhibition:

Ancient Treasures of the Americas

For thousands of years, the indigenous peoples of North, Central, and South America have employed numerous materials, forms, techniques, and styles to create works of great beauty and innovation. The thirteen works shown here, dating from 800 B.C. to A.D. 850, represent some of the most exquisite and rare objects in the Arts of the Americas collection.

The Olmec of the Gulf Coast of Mexico (1200–300 B.C.), for example, produced magnificent carvings in jadeite, serpentine, and other minerals—such as the figurines, ornaments, and spoon on display—as offerings to be placed in elite burials or in dedicatory caches celebrating the construction of religious and civic monuments. The Woodland peoples of the Ohio and Mississippi valleys in the United States (A.D. 1–900) sculpted beautifully detailed stone effigy pipes of animals that were probably used during ceremonies. The Maya of Mexico and Central America (250 B.C.–A.D. 900) carved jade and shell to make delicate ornaments and picture plaques that were worn and used by elite members of society; and finally, the Chavin culture of the northern highlands of Peru (900–200 B.C.) created finely incised conch-shell trumpets, which were most likely used during rituals, as depicted on architectural friezes and monumental sculpture.

Notable objects in this case include the Olmec Standing Figure Holding a Baby, remarkable for its delicacy and highly polished surface. The figure has the typical Olmec face with drooping lips, flattened head, drilled ear lobes, and unclothed body. Its sensitively modeled face is serene compared to the animated, snarling expression of the “baby,” which has been interpreted as a supernatural being because it wears a headband decorated with two nodules that is a common attribute of the Olmec infant-jaguar deity. The carving may portray an elite figure holding an ancestral or deity image or the Olmec practice of child sacrifice. The Allison-Copena Panther Effigy Pipe is remarkable for its realism; it is carved on all sides including the bottom pads of the feet. The Maya mosaic head pendant is outstanding in the skillful way the artist arranged tesserae, or small pieces, of jadeite, Spondylus (an orange-colored spiny oyster) shell, mother of pearl, and obsidian to fashion a dramatic face that belies the pendant’s small size. The elaborately incised Chavin Strombus-Shell Trumpet with its self-referential depiction of a human figure blowing a conch shell, has drill holes so it could be suspended on a cord, perhaps from the neck of a priest. In the incised design, a cascade of serpents emanate from the trumpet, possibly alluding to the sacred nature of the sounds produced.

Visible Storage: Case 28, Shelf A (Special Exhibition)
37.390 Colima
Dog Figure 200 B.C.E.-300 C.E.

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38.45 Aztec
Reclining Jaguar 1400-1521

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40.15 Colima
Figurine 300 BCE - 300 CE

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40.919 Jalisco
Seated Figure of a Woman circa 100 C.E.

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47.186.1 Nayarit
Figurine of a Man 100 B.C.E. - 200 C.E.

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47.186.2 Nayarit
Figurine of a Woman 100 B.C.E. - 200 C.E.

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Visible Storage: Case 28, Shelf B (Special Exhibition)
48.22.21 Zapotec
Funerary Urn 200-800

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37.2771PA Maya
Head of Female Figurine 600-850

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37.2777PA Huastec
Jar 1250-1520

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37.2778PA Maya
Figurine

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37.2779PA Huastec
Effigy Jar 1250-1520

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37.2781PA Maya
Jar

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37.2782PA Maya
Cylindrical Vessel 700-900

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37.2783PA Maya
Hollow Figurine 500-850

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37.2784PA Maya
Hollow Figurine 500-850

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37.2785PA Maya
Rattle of a Man Wearing a Bird Mask 500-850

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37.2786PA Maya
Cylindrical Hollow Figurine 500-850

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37.2788PA Maya
Whistle in Form of Turtle 500-850

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37.2789PA Maya
Figurine 500-850

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37.2794PA Maya
Tripod Bowl 1000-1200

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37.2809PA Huastec
Head of Figurine 1250-1520

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37.2904PA Maya
Rattle of Priestess or Woman Impersonating a Deity 500-850

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Visible Storage: Case 28, Shelf C (Special Exhibition)
37.2895PA Huastec
Relief Carving of a Human Face 900-1250

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37.2896PA Huastec
Bowl ca. 1250-1520

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