Figural Group: Raven Surmounted by Three Seated Figures

Haida

Brooklyn Museum photograph

Object Label

Although the exact meaning of this sculpture is unknown, it may represent the first people joining Raven, a key figure in Haida oral history. There are many tales of Raven traveling throughout the land and water. He is said to have released daylight from a box, and he acts as both a benevolent being and a trickster, or mischievous being. Raven is believed to have created the Haida when he saw small people inside a beautiful clamshell and convinced them to join him. Here the long-haired figure in front may be a shaman, a priest who uses magic for curing the sick, divining the hidden, and controlling events. The figure at the back wears a hat crowned with chiefly rings and a frog emblem, indicators of the wearer’s important status.


Aunque el significado exacto de esta escultura se desconoce, puede representar a la primera gente uniéndose con Cuervo, una figura clave en la historia oral Haida. Existen muchas historias de Cuervo y sus viajes por mar y tierra. Se dice que fue él quien liberó la luz del día de una caja, y que actúa tanto como un ser benevolente y embaucador, o como un ser malicioso. Se cree que Cuervo creo a los Haida cuando vio gente diminuta dentro de una hermosa concha y los convenció de que se le unieran. Aquí, la figura de pelo largo que está enfrente puede ser un chamán, un sacerdote que usa magia para curar a los enfermos, adivinar lo oculto, y controlar acontecimientos. La figura que está detrás lleva un sombrero coronado por anillos de jefatura y el emblema de una rana, indicadores del importante estatus del usuario.

Caption

Haida. Figural Group: Raven Surmounted by Three Seated Figures, 1860–1880. Argillite, 10 x 15 1/2 x 3 3/4 in. (25.4 x 39.4 x 9.5 cm). Brooklyn Museum, By exchange, 72.5.1. Creative Commons-BY (Photo: Brooklyn Museum, 72.5.1_PS1.jpg)

Gallery

Not on view

Culture

Haida

Title

Figural Group: Raven Surmounted by Three Seated Figures

Date

1860–1880

Geography

Possible place made: Canada

Medium

Argillite

Classification

Sculpture

Dimensions

10 x 15 1/2 x 3 3/4 in. (25.4 x 39.4 x 9.5 cm)

Credit Line

By exchange

Accession Number

72.5.1

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Was this particular piece an inspiration for the artist Bill Reid?

    Bill Reid was definitely looking at works like the Figural Group made by a Haida artist. Reid developed a keen interest in Haida art in his late teens/early twenties. His mother was from the Kaadaas gaah Kiiguwaay, Raven/Wolf Clan of T'anuu, more commonly known as the Haida, one of the First Nations of the Pacific coast. His maternal grandfather first taught him about Haida art. He had himself been trained by Charles Edenshaw, a Haida artist of great renown. Looking at his work and this Figural Group: Raven Surmounted by Three Seated Figures, I can definitely see similarities.
    Yes me too, I instantly thought of his work at the YVR airport The Spirit of Haida Gwaii in how the figures are rendered, and setting in a vessel.

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