Table
Decorative Arts and Design
MEDIUM
Kingwood veneer on mahogany and oak with ivory inlay
DATES
ca. 1923
DIMENSIONS
22 1/8 x 15 3/8 x 30 3/4 in. (56.2 x 39.1 x 78.1 cm)
(show scale)
MARKINGS
no marks
SIGNATURE
Unsigned
INSCRIPTIONS
no inscriptions
ACCESSION NUMBER
71.150.3
CREDIT LINE
Purchased with funds given by Joseph F. McCrindle, Mrs. Richard M. Palmer, Charles C. Paterson, Raymond Worgelt, and an anonymous donor
CATALOGUE DESCRIPTION
Table, rectangular; kingwood (amaranthe) veneer on mahogany and oak with ivory inlay. Rectangular top with slide on one long side; top has ivory inlay in form of irregular rings encircled by a band of ivory inlay. Band of ivory around outside top edge also. Smaller rectangular base on four smaller square blocks; top sides of base slope upward to broad solid vertical support. Base ringed with ivory dots, ivory stringing and small ovals on vertical support which joins top by means of two graduated blocks.
CONDITION: Good, except the small ivory knob on the slide is broken off. This was repaired in Paris just after purchase by the Museum, but it must have been broken off in transit. Felix Marcilhac said the knob was identical to those on the three drawers inside the chiffonier.
MUSEUM LOCATION
This item is not on view
CAPTION
Emile-Jacques Ruhlmann (French, 1879–1933). Table, ca. 1923. Kingwood veneer on mahogany and oak with ivory inlay, 22 1/8 x 15 3/8 x 30 3/4 in. (56.2 x 39.1 x 78.1 cm). Brooklyn Museum, Purchased with funds given by Joseph F. McCrindle, Mrs. Richard M. Palmer, Charles C. Paterson, Raymond Worgelt, and an anonymous donor, 71.150.3. Creative Commons-BY (Photo: Brooklyn Museum, 71.150.3_SL1.jpg)
IMAGE
overall, 71.150.3_SL1.jpg. Brooklyn Museum photograph
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RIGHTS STATEMENT
Creative Commons-BY
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Tell me more.
This table was designed by Emile-Jacques Ruhlmann, a French furniture designer from the early 20th century. You can see in the organic forms and intricate inlays in his furniture an interest in handmade and carefully crafted objects, a reaction against the rapid industrialization of the time. French designers like Ruhlmann looked back to older traditions for inspiration and put themselves forward as the height of European taste.