Staten Island and the Narrows
Thomas Chambers
American Art
On View: American Art Galleries, 5th Floor, Trouble the Water
This lively image records the lower New York harbor between southern Brooklyn and Staten Island that is now spanned by the Verrazano Bridge. Thomas Chambers's paintings are often based on prints, and they were seldom signed or date. His style was distinguished by a bold sense of composition and brilliant coloring, often with an enamel-like finish. This view is based on William Bartlett's engraving published in American Scenery (1840).
MEDIUM
Oil on canvas
DATES
ca. 1835–1855
DIMENSIONS
frame: 26 1/2 x 35 x 2 1/2 in. (67.3 x 88.9 x 6.4 cm)
21 15/16 x 30 1/4 in. (55.8 x 76.9 cm)
(show scale)
ACCESSION NUMBER
48.53
CREDIT LINE
Dick S. Ramsay Fund
PROVENANCE
Prior to 1948, provenance not yet documented; by 1948, acquired by The Old Print Shop, New York, NY; April 7, 1948, purchased from The Old Print Shop by the Brooklyn Museum.
Provenance FAQ
CAPTION
Thomas Chambers (American, 1808–died after 1866). Staten Island and the Narrows, ca. 1835–1855. Oil on canvas, frame: 26 1/2 x 35 x 2 1/2 in. (67.3 x 88.9 x 6.4 cm). Brooklyn Museum, Dick S. Ramsay Fund, 48.53 (Photo: Brooklyn Museum, 48.53_SL1.jpg)
IMAGE
overall, 48.53_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.