Skip Navigation

The Rainy Season

Peter Hurd

American Art

Born in remote Roswell, New Mexico, Peter Hurd established his home at Sentinel Ranch, in nearby San Patricio, by 1940 and devoted himself to painting the area’s distinctive landscape. Hurd had been experimenting with the medium seen here—egg tempera (an egg-based, water-soluble paint mixture) applied to gesso-coated panels—since the early 1930s. Derived from Italian Renaissance practice, the method allowed him to achieve a brilliancy of color and “flatness” that he believed were otherwise attainable only with watercolors.
MEDIUM Egg tempera on masonite
DATES 1940
DIMENSIONS 34 1/2 x 47 1/4 in. (87.6 x 120 cm)  (show scale)
SIGNATURE Signed lower right: "Peter Hurd"
INSCRIPTIONS Inscribed verso top: "The Rainy Season / Painted in Egg Tempera / by Peter Hurd / AUGUST 1940 / AT Sentinel Ranch, San Patricio / N. Mex."
COLLECTIONS American Art
ACCESSION NUMBER 45.135
CREDIT LINE Gift of Roy R. Neuberger
MUSEUM LOCATION This item is not on view
CAPTION Peter Hurd (American, 1904–1984). The Rainy Season, 1940. Egg tempera on masonite, 34 1/2 x 47 1/4 in. (87.6 x 120 cm). Brooklyn Museum, Gift of Roy R. Neuberger, 45.135. © artist or artist's estate (Photo: Brooklyn Museum, 45.135.jpg)
IMAGE overall, 45.135.jpg. Brooklyn Museum photograph, 2004
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT © artist or artist's estate
Copyright for this work may be controlled by the artist, the artist's estate, or other rights holders. A more detailed analysis of its rights history may, however, place it in the public domain. The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.