Painted Elk Hide
Arts of the Americas
By 1900, when this hide was painted, Cotsiogo’s Eastern Shoshone band was confined to the Wind River Reservation in Wyoming, and the artist turned to the tourist economy as a means of support. This nostalgic work harks back to pre-reservation times with scenes of the Wolf and Sun Dances, a buffalo hunt, women butchering buffalo, and warriors on horseback returning to camp.
Prior to the 1860s, when Native people were forced onto reservations by the U.S. government so white settlers could occupy tribal lands, the vast Shoshone territory encompassed what is now southeastern California, central and eastern Nevada, northwestern Utah, southern Idaho, and western Wyoming.
MEDIUM
Elk hide, pigment
DATES
ca. 1900
ACCESSION NUMBER
64.13
CREDIT LINE
Dick S. Ramsay Fund
CATALOGUE DESCRIPTION
This is a painted elk hide. The narrative includes a camp scene with tipis, a "sun" dance, modified to show an eagle rising above the pole structure, which has an unraised buffalo head. Warriors dressed in finery are entering the village. On the fringe a group of women sit near a fire. The perimeter depicts a buffalo hunt with the hunters on horseback using rifles. Vignettes of skinning the buffaloes are also depicted with heaps of the heads, hides and hooves separated and piled. The colors used are brown, black, red, pink, purple, blue, maroons, and green. See supplementary files in Arts of Americas office for a study of paints.
MUSEUM LOCATION
This item is not on view
CAPTION
Cotsiogo (Cadzi Cody) (Shoshone, 1866–1912). Painted Elk Hide, ca. 1900. Elk hide, pigment, 81 x 78 in. (205.7 x 198.1 cm). Brooklyn Museum, Dick S. Ramsay Fund, 64.13. Creative Commons-BY (Photo: Brooklyn Museum, 64.13_edited_SL1.jpg)
IMAGE
overall, edited, 64.13_edited_SL1.jpg. Brooklyn Museum photograph, 2009
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a
Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.