Century Vase
Decorative Arts and Design
On View: Decorative Art, 20th-Century Decorative Arts, 4th Floor
About this Brooklyn Icon
The Brooklyn Museum is commemorating its 200th anniversary by spotlighting 200 standout objects in its encyclopedic collection.
The Brooklyn Museum’s two “Century Vases” prompt lively conversations about American history and settler colonialism, as well as a contemporary cultural landscape where people of color thrive and triumph. Karl L. H. Müller’s version is the original 19th-century model, manufactured by the Brooklyn-based porcelain firm Union Porcelain Works for the 1876 Centennial Exhibition held in Philadelphia. The vase’s images—which include scenes of the Revolutionary War, William Penn’s 1682 compromise that resulted in the seizure of Indigenous Lenape land, trophy heads of animals native to North America, and steam power and electricity—assert white settlers’ conviction in their own progress in technology, land cultivation, and governance.
Reclaiming this history, Roberto Lugo’s Brooklyn Century Vase depicts the artistic and cultural achievements of Black residents of Brooklyn. In place of an idealized portrait of George Washington, Lugo celebrates Brooklyn Dodgers player Jackie Robinson, who broke the color barrier in baseball, and The Notorious B.I.G., who gave Brooklyn rap its authentic voice. Other icons of Brooklyn, including Jay-Z and the classic brownstone building, circle the bottom rim, reinforcing the borough’s status as a significant center of cultural production.
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Gallery Label: Seeing America Through The Century Vase, 1876 and 2019
Embellished with a selective, idealized narrative of American history, Karl L. H. Mueller’s Century Vase was made in Greenpoint, Brooklyn, for the Union Porcelain Works display at the 1876 Philadelphia Centennial International Exhibition. The vase features cameos of George Washington flanked by bison-head handles and painted and relief vignettes referring to the land, history, and destiny of America as experienced by its white settlers—log cabins, the Boston Tea Party, and William Penn’s treaty with Native Americans, as well as scenes of industrial progress, including a woman at a sewing machine—that represent the young nation’s past and achievements.
Offering a counterpoint, Roberto Lugo’s Brooklyn Century Vase of 2019 revisits Mueller’s work by portraying a more complex America seen through the lens of Brooklyn. While mirroring Mueller’s composition, Lugo’s vase pays tribute to the borough and its African American legends, including baseball player Jackie Robinson and musician Christopher Wallace (The Notorious B.I.G.), while replacing Mueller’s scenes of progress with imagery borrowed from food stamps. For Lugo, the piece “presents a nuanced understanding of place, one that allows for multiple points of view…. Brooklyn, like the United States, has a complicated history, one that should be told—and represented.”
MEDIUM
Porcelain
DATES
1876
DIMENSIONS
Height: 22 1/4 in. (56.5 cm)
Diameter of base: 10 in. (25.4 cm)
(show scale)
MARKINGS
Raised circle with impressed mark of "U.P.W." with eagle head holding "S" in its beak.
INSCRIPTIONS
Inscribed: "Century Vase / Exhibited at the Centennial / Exhibition at Philadelphia / Manufactured 1876 / By Union Porcelain Works / Greenpoint"
ACCESSION NUMBER
43.25
CREDIT LINE
Gift of Carll and Franklin Chace, in memory of their mother, Pastora Forest Smith Chace, daughter of Thomas Carll Smith, the founder of the Union Porcelain Works
CATALOGUE DESCRIPTION
Vase, hard paste porcelain, upper section elaborately decorated with banding of blue thunderbolts, eagles and stars superimposed in gold. The handles are bison heads. Middle section with portrait medallions on one side the sewing machine, steam boat, planter, planter and reaper, opposite side has relief of Washington in white with two medallions of the Union Porcelain Works and a factory on the other side, a gold band with animal heads separates middle section from the lower section which has designs in white relief, depicting Indians, a revolutionary soldier, and the Boston Tea Party.
Condition: Good
CAPTION
Karl L. H. Müller (American, born Germany, 1820–1887). Century Vase, 1876. Porcelain, Height: 22 1/4 in. (56.5 cm). Brooklyn Museum, Gift of Carll and Franklin Chace, in memory of their mother, Pastora Forest Smith Chace, daughter of Thomas Carll Smith, the founder of the Union Porcelain Works, 43.25. Creative Commons-BY (Photo: Brooklyn Museum, 43.25_SL1.jpg)
IMAGE
front, 43.25_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
Creative Commons-BY
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Was this an advertisement?
In a way! It was designed for the Centennial Exposition in 1876. US manufacturers realized they were going to be displayed alongside their prestigious European competitors. The Brooklyn-based Union Porcelain Works knew it had to put its best foot forward and so hired Karl Mueller as their artistic director to make large, impressive objects with American themes specifically for their display. And this vase is one of those objects. It is meant to promote the history and rapid advancement of the relatively young United States to visitors from around the world as well as displaying the skill of American craftspeople.
What was this made for?
This vase was created as a showpiece to be displayed at the Centennial Exposition in 1876. It celebrates American themes and advertises the quality of Union Porcelain Works and their designers.
Ah, thanks!
What was happening in America at the time that inspired this vase?
This vase was specifically created for the Centennial Exposition which took place in Philadelphia in 1876. The Exposition was the first World’s Fair to be held in the United States and was meant to celebrate one hundred years since the founding of the country.
Part of the goal of the Exposition was to show off to local, national, and international audiences the greatness of the United States and Philadelphia, despite the all-too-recent Civil War. Each vignette shows a different aspect of American history and culture. It also showcases technological innovations, such as the telegraph and the sewing machine.