<em>Tray and Cover</em>, 1760–1770. Enameled copper, 8 1/4 x 11 x 11 in. (21 x 27.9 x 27.9 cm). Brooklyn Museum, The Helena Woolworth McCann Trade Procelain Collection, Gift of the Winfield Foundation, 55.10.66a-b. Creative Commons-BY (Photo: Brooklyn Museum, 55.10.66a-b_view1_PS11.jpg)

Tray and Cover, 1760–1770. Enameled copper, 8 1/4 x 11 x 11 in. (21 x 27.9 x 27.9 cm). Brooklyn Museum, The Helena Woolworth McCann Trade Procelain Collection, Gift of the Winfield Foundation, 55.10.66a-b. Creative Commons-BY (Photo: Brooklyn Museum, 55.10.66a-b_view1_PS11.jpg)

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Tray and Cover

Decorative Arts and Design

On View: Decorative Art, 20th-Century Decorative Arts, 4th Floor

Even before the nineteenth century, merchants fostered European and later American fascination with the art, culture, and peoples of Asia. These merchants manipulated Asian resources, materials, and labor to produce and promote luxury goods for European consumers. Although China and Japan were never in the true sense part of European empires, they were economically tied to these powerful European kingdoms, supplying porcelains, silks, wallpaper, lacquerwares, and tea to the wealthy throughout Europe.

The Japanese and Chinese porcelains shown here were made not for domestic but for European markets; they exhibit the fashion for Asian-produced goods with motifs and colors that were seen as quintessentially Asian. It was not until 1709 that European manufacturers discovered how to fabricate true hard, translucent porcelain. Therefore, works created in this expensive and exclusive material were both desirable and fashionable among the elite. Their production in distant Asia added allure but also ignorance about who made them and how they were created. The markets for goods like these, which benefited from the exploitation of cheap labor in remote or unfamiliar locations, continued through the nineteenth century and still endures today.

Here, the European-style floral vases decorating these Qajar period tiles from Iran indicate that designers as well as their clients sought ornament derived from European sources. The Japanese porcelains display the fashion for European-style objects: coffee was popular in European households, and the coffee urn shown here would have been a conversation starter as well as an object of great fascination. The barber’s bowls may have been functional—they were designed to hang around a man’s neck to hold water and soap while shaving—but, more likely, these examples would have been decoratively hung on a wall as an indication of wealth and sophistication. Part of a very large dinner service produced for the Portuguese Saldanha family, the enameled food cover and platter were fabricated in China applying European forms, techniques, and decoration.

MEDIUM Enameled copper

DATES 1760–1770

DIMENSIONS 8 1/4 x 11 x 11 in. (21 x 27.9 x 27.9 cm) (show scale)

COLLECTIONS Decorative Arts and Design

ACCESSION NUMBER 55.10.66a-b

CREDIT LINE The Helena Woolworth McCann Trade Procelain Collection, Gift of the Winfield Foundation

EXHIBITIONS

Design: 1880 to Now

MUSEUM LOCATION This item is on view in Decorative Art, 20th-Century Decorative Arts, 4th Floor

CAPTION Tray and Cover, 1760–1770. Enameled copper, 8 1/4 x 11 x 11 in. (21 x 27.9 x 27.9 cm). Brooklyn Museum, The Helena Woolworth McCann Trade Procelain Collection, Gift of the Winfield Foundation, 55.10.66a-b. Creative Commons-BY (Photo: Brooklyn Museum, 55.10.66a-b_view1_PS11.jpg)

IMAGE overall, 55.10.66a-b_view1_PS11.jpg. Brooklyn Museum photograph, 2016

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RIGHTS STATEMENT Creative Commons-BY

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Tray and Cover

Decorative Arts and Design

On View: Decorative Art, 20th-Century Decorative Arts, 4th Floor

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