Quarry

William Thon

Brooklyn Museum photograph

Object Label

Faience

An Egyptian invention, faience first appeared about 3500 B.C.E. and was used for a range of objects, including jewelry, amulets, bowls, pots, statuettes, inlays, and gaming pieces.

To make faience, ancient artisans first molded or shaped the raw material—a glassy paste of crushed quartz or sand —and then fired it. Craftsmen glazed faience pieces in three different ways. The simplest and oldest method involved brushing the object with, or immersing it in, liquid glaze before firing. Alternatively, workers mixed a crystalline mineral salt with the faience and allowed it to evaporate to the surface while the object dried. This mineral salt then melted and fused into a glaze during firing. In the third technique, an artisan buried the object in a glazing powder that fused with the core during firing. To decorate faience objects, craftsmen painted on designs before firing or mixed the moist faience paste with mineral colorants.

Unlike faience, glass was a foreign import that arrived in Egypt from western Asia shortly before 1500 B.C.E. The first Egyptian glassmakers relied on molds, limiting production to small objects such as beads and amulets. Later craftsmen perfected techniques that allowed for large, complex pieces.

Recreational Objects

The Egyptians were fascinated by faience’s bright colors and lustrous finish, and fashioned a wide variety of recreational objects in the material.

The hollow faience ball in this case—too fragile to have been tossed—probably served as a rattle during musical performances or religious rituals. The charming object in the form of an ape was a playing piece in one of the many Egyptian board games.

Caption

William Thon American, 1906–2000. Quarry, ca. 1952. Watercolor and perhaps India ink on paper, 27 1/2 × 41 in. (69.9 × 104.1 cm) frame: 36 3/4 × 50 3/4 × 4 1/2 in. (93.3 × 128.9 × 11.4 cm). Brooklyn Museum, Dick S. Ramsay Fund, 53.144. © artist or artist's estate (Photo: Brooklyn Museum, 53.144.jpg)

Gallery

Not on view

Collection

American Art

Title

Quarry

Date

ca. 1952

Medium

Watercolor and perhaps India ink on paper

Classification

Watercolor

Dimensions

27 1/2 × 41 in. (69.9 × 104.1 cm) frame: 36 3/4 × 50 3/4 × 4 1/2 in. (93.3 × 128.9 × 11.4 cm)

Signatures

Signed twice: lower right: "Thon" in matte black watercolor and lower right: "Thon" in what appears to be India ink

Credit Line

Dick S. Ramsay Fund

Accession Number

53.144

Rights

© artist or artist's estate

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