Inlay Figure of a King in Four Pieces, 305–30 B.C.E. Glass, gold leaf, 5 9/16 x 2 3/8 x 5/16 in. (14.1 x 6 x 0.8 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 49.61.1-.4. Creative Commons-BY (Photo: Brooklyn Museum, 49.61.1-.4_SL1.jpg)
Inlay Figure of a King in Four Pieces, 305–30 B.C.E. Glass, gold leaf, 5 9/16 x 2 3/8 x 5/16 in. (14.1 x 6 x 0.8 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 49.61.1-.4. Creative Commons-BY (Photo: Brooklyn Museum, CUR.49.61.1-.4_wwg8.jpg)
Inlay Figure of a King in Four Pieces, 305–30 B.C.E. Glass, gold leaf, 5 9/16 x 2 3/8 x 5/16 in. (14.1 x 6 x 0.8 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 49.61.1-.4. Creative Commons-BY (Photo: Brooklyn Museum, CUR.49.61.1-.4_view7.jpg)
Inlay Figure of a King in Four Pieces, 305–30 B.C.E. Glass, gold leaf, 5 9/16 x 2 3/8 x 5/16 in. (14.1 x 6 x 0.8 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 49.61.1-.4. Creative Commons-BY (Photo: Brooklyn Museum, CUR.49.61.1-.4_view5.jpg)
Inlay Figure of a King in Four Pieces, 305–30 B.C.E. Glass, gold leaf, 5 9/16 x 2 3/8 x 5/16 in. (14.1 x 6 x 0.8 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 49.61.1-.4. Creative Commons-BY (Photo: Brooklyn Museum, CUR.49.61.1-.4_view6.jpg)
Inlay Figure of a King in Four Pieces, 305–30 B.C.E. Glass, gold leaf, 5 9/16 x 2 3/8 x 5/16 in. (14.1 x 6 x 0.8 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 49.61.1-.4. Creative Commons-BY (Photo: Brooklyn Museum, CUR.49.61.1-.4_view1.jpg)
Inlay Figure of a King in Four Pieces, 305–30 B.C.E. Glass, gold leaf, 5 9/16 x 2 3/8 x 5/16 in. (14.1 x 6 x 0.8 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 49.61.1-.4. Creative Commons-BY (Photo: Brooklyn Museum, CUR.49.61.1-.4_view3.jpg)
Glass inlays like this were used to decorate shrines or cartonnages. When forming part of the decoration of a cartonnage, they were pressed directly into the outer coat of plaster while it was still wet. This inlay probably formed part of the decorative pattern of a box, a piece of furniture, or an item of funerary equipment. The bright colors not only enhanced the appearance of the object but had symbolic significance as well.