Skip Navigation

Courtesan in Night Attire Standing on a Verandah

Suzuki Harunobu

Asian Art

A young woman’s slumping posture indicates that she is dejected. On the paper screen behind her are the faint shadows of musicians, indicating that she has left a party to be alone. Knowing Harunobu’s tendency to hide literary references in his designs, scholars have suggested that this image refers to a well-known Japanese story about a beloved mirror, a female outcaste, and a cursed bell, which are represented by the stone basin full of reflective water, the lonely beauty, and the dipper (which is shaped like a mallet used to strike a bell). The story tells of the woe that comes to people who are greedy or overly attached to worldly things.
MEDIUM Color woodblock print on paper
  • Place Made: Japan
  • DATES ca. 1767
    PERIOD Edo Period
    DIMENSIONS Sheet: 10 3/4 x 8 1/4 in. (27.3 x 21.0 cm) Image: 10 1/2 x 8 1/4 in. (26.7 x 21.0 cm)  (show scale)
    SIGNATURE Harunobu ga
    COLLECTIONS Asian Art
    ACCESSION NUMBER 45.158.1
    CREDIT LINE Ella C. Woodward Memorial Fund
    MUSEUM LOCATION This item is not on view
    CAPTION Suzuki Harunobu (Japanese, 1724–1770). Courtesan in Night Attire Standing on a Verandah, ca. 1767. Color woodblock print on paper, Sheet: 10 3/4 x 8 1/4 in. (27.3 x 21.0 cm). Brooklyn Museum, Ella C. Woodward Memorial Fund, 45.158.1 (Photo: Brooklyn Museum, 45.158.1_IMLS_PS3.jpg)
    IMAGE overall, 45.158.1_IMLS_PS3.jpg. Brooklyn Museum photograph
    "CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
    RIGHTS STATEMENT No known copyright restrictions
    This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
    RECORD COMPLETENESS
    Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.