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Object Label

Diné women wove waterproof wool blankets that were worn around the shoulders. In 1863 the U.S. Army forcibly removed the Diné from Arizona to Bosque Redondo detention camp in New Mexico and killed the tribe’s churro sheep. Ingenious weavers combined commercial wool with unraveled red flannel to create colorful designs.

During captivity, weaving became the Diné’s primary source of income, and when they returned to their homelands in 1868, it continued to flourish with the expansion of the railroad and the establishment of trading posts. This man's chief-style blanket has a variant pattern with black and white stripes and white and blue serrated zigzags on a red ground.

Caption

Navajo. Blanket, 1880–1890. Wool, dye, 54 5/16 x 66 15/16 in. (138 x 170 cm). Brooklyn Museum, Anonymous gift in memory of Dr. Harlow Brooks, 43.201.190. Creative Commons-BY (Photo: Brooklyn Museum, 43.201.190_PS5.jpg)

Gallery

Not on view

Culture

Navajo

Title

Blanket

Date

1880–1890

Geography

Place made: Arizona, United States

Medium

Wool, dye

Classification

Textile

Dimensions

54 5/16 x 66 15/16 in. (138 x 170 cm)

Credit Line

Anonymous gift in memory of Dr. Harlow Brooks

Accession Number

43.201.190

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

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