Evening Glow at Seta (Seta no Sekisho), from Eight Views of the Province Omi (Omi Hakkei)
Utagawa Hiroshige
Asian Art
“Eight Views of Omi Province” was the most common Japanese adaptation of the Chinese theme “Eight Views of the Xiao and Xiang Rivers.” In the Omi version, the motif of “fishing village at sunset” was located in the town of Seta, famous for its bridge. The same subject, focusing on the small island that divides the two spans of the bridge, can be found in the very early print by Masanobu, also on view here.
MEDIUM
Color woodblock print on paper
DATES
ca. 1834
PERIOD
Edo Period
DIMENSIONS
Sheet: 9 1/8 x 14 1/16 in. (23.1 x 35.6 cm)
Image: 8 15/16 x 13 7/8 in. (22.6 x 35.1 cm)
(show scale)
SIGNATURE
Hiroshige egaku
ACCESSION NUMBER
39.585
CREDIT LINE
Frank L. Babbott Fund
MUSEUM LOCATION
This item is not on view
CAPTION
Utagawa Hiroshige (Japanese, 1797–1858). Evening Glow at Seta (Seta no Sekisho), from Eight Views of the Province Omi (Omi Hakkei), ca. 1834. Color woodblock print on paper, Sheet: 9 1/8 x 14 1/16 in. (23.1 x 35.6 cm). Brooklyn Museum, Frank L. Babbott Fund, 39.585 (Photo: Brooklyn Museum, 39.585_SL1.jpg)
IMAGE
overall, 39.585_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.