Yorùbá. Kneeling Female Figure, late 19th or early 20th century. Wood, 8 1/2 x 2 x 2 1/2 in. (21.6 x 5.1 x 6.4 cm). Brooklyn Museum, Gift of Mr. and Mrs. Joseph Gerofsky in honor of Ruth Lippman, 1992.70. Creative Commons-BY (Photo: Brooklyn Museum, 1992.70_threequarter_PS2.jpg)
Yorùbá. Kneeling Female Figure, late 19th or early 20th century. Wood, 8 1/2 x 2 x 2 1/2 in. (21.6 x 5.1 x 6.4 cm). Brooklyn Museum, Gift of Mr. and Mrs. Joseph Gerofsky in honor of Ruth Lippman, 1992.70. Creative Commons-BY (Photo: Brooklyn Museum, 1992.70_profile_PS2.jpg)
Yorùbá. Kneeling Female Figure, late 19th or early 20th century. Wood, 8 1/2 x 2 x 2 1/2 in. (21.6 x 5.1 x 6.4 cm). Brooklyn Museum, Gift of Mr. and Mrs. Joseph Gerofsky in honor of Ruth Lippman, 1992.70. Creative Commons-BY (Photo: Brooklyn Museum, 1992.70_transpc003.jpg)
Yorùbá. Kneeling Female Figure, late 19th or early 20th century. Wood, 8 1/2 x 2 x 2 1/2 in. (21.6 x 5.1 x 6.4 cm). Brooklyn Museum, Gift of Mr. and Mrs. Joseph Gerofsky in honor of Ruth Lippman, 1992.70. Creative Commons-BY (Photo: , CUR.1992.70_documentation_context_01.jpg)
Kneeling Female Figure
Yorùbá, Areogun of Osi
Arts of Africa
Attributing a specific piece of ritual African art to a particular artist is seldom possible, in part because the artists often perpetuated the myth that the objects were not the work of human beings, and also because the original collectors of these pieces rarely inquired about the artists' names. This piece, however, has been attributed to Areogun of Osi, one of the most prominent Yoruba artists of the twentieth century. His distinctive style is identifiable in the figure's elaborate openwork headdress, proportionally large ears, and curved breasts.
Kneeling female figures, often nude, are common in Yoruba religious art. In this pose, the figure represents a supplicant before the orisha, or deity, on whose altar it is placed. The image beautifies the altar and thereby honors orisha.
