Skip Navigation

Study of Trees and Rocks; Study of Trees (verso)

Paul Cézanne

European Art

Here, Paul Cézanne used a layered field of graphite marks and transparent planes of watercolor to describe foliage and natural contours, with blank passages of paper heightening a sense of space and light. Watercolor strokes and graphite lines create a harmonious rhythm across the surface of the drawing.

Cézanne used drawings like these, which he made in the countryside around his home near Aix-en-Provence in the South of France, to experiment with form, structure, and space, creating images that appear at once dense and atmospheric. Many successive generations of artists were greatly influenced by the complexity and abstraction of Cézanne’s vision.
MEDIUM Graphite and watercolor on wove paper (recto); graphite (verso)
  • Place Made: France
  • DATES 1890–1895
    DIMENSIONS Sheet: 19 1/2 x 12 5/8 in. (49.5 x 32.1 cm)  (show scale)
    COLLECTIONS European Art
    ACCESSION NUMBER 39.16a-b
    CREDIT LINE Museum Collection Fund
    MUSEUM LOCATION This item is not on view
    CAPTION Paul Cézanne (French, 1839–1906). Study of Trees and Rocks; Study of Trees (verso), 1890–1895. Graphite and watercolor on wove paper (recto); graphite (verso) , Sheet: 19 1/2 x 12 5/8 in. (49.5 x 32.1 cm). Brooklyn Museum, Museum Collection Fund, 39.16a-b (Photo: , 39.16a-b_recto_PS9.jpg)
    IMAGE recto, 39.16a-b_recto_PS9.jpg., 2018
    "CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
    RIGHTS STATEMENT No known copyright restrictions
    This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
    RECORD COMPLETENESS
    Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.
    Paul Cézanne (French, 1839–1906). <em>Study of Trees and Rocks; Study of Trees (verso)</em>, 1890–1895. Graphite and watercolor on wove paper (recto); graphite (verso)
, Sheet: 19 1/2 x 12 5/8 in. (49.5 x 32.1 cm). Brooklyn Museum, Museum Collection Fund, 39.16a-b (Photo: , 39.16a-b_recto_PS9.jpg)