Linguist (Okyeame) Staff

Fante

1 of 8

Object Label

Modernizing the Urban Landscape

By the late 1920s, signs of modernization and industrialization were intruding on the residential neighborhood of Brooklyn Heights, where Isabel Lydia Whitney grew up. The Emerald Tower and The Blue Peter are part of a series of works Whitney painted about 1927 of the changing area. Exhibited in 1928, the series was praised for its honest depiction of the American scene and “the poignancy of transition.”

In The Emerald Tower, the iconic Brooklyn Bridge is relegated to the far distance, and the painting is dominated instead by the new Squibb building, part of a manufacturing plant for a pharmaceutical company. The masts, smokestacks, and rigging seen in The Blue Peter hint at the encroachment of waterfront commerce.

Caption

Fante. Linguist (Okyeame) Staff, 20th century. Wood, gold leaf, 62 3/4 × 7 × 3 9/16 in. (159.4 × 17.8 × 9 cm) mount: 63 × 7 × 5 1/16 in. (160 × 17.8 × 12.9 cm). Brooklyn Museum, Designated Purchase Fund and Carll H. de Silver Fund, 85.200.1a-d. Creative Commons-BY (Photo: Brooklyn Museum, 85.200.1a-d_PS1.jpg)

Gallery

Not on view

Collection

Arts of Africa

Culture

Fante

Title

Linguist (Okyeame) Staff

Date

20th century

Geography

Place made: Central Region, Ghana

Medium

Wood, gold leaf

Classification

Accessories

Dimensions

62 3/4 × 7 × 3 9/16 in. (159.4 × 17.8 × 9 cm) mount: 63 × 7 × 5 1/16 in. (160 × 17.8 × 12.9 cm)

Credit Line

Designated Purchase Fund and Carll H. de Silver Fund

Accession Number

85.200.1a-d

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

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