Auricular Cell (Cellule auriculaire)

Odilon Redon

1 of 2

Object Label

Odilon Redon, whose enigmatic, haunting works exemplify the dreamlike themes and emotional emphasis of Symbolism, produced almost two hundred lithographs. Many of them capture the moody, dark tonalities of his charcoal drawings, which he called noirs. Here, a strange figure in profile, with a curiously enlarged ear—a being possibly inspired by Francisco Goya, whom Redon greatly admired—peers from within a medallion.

Auricular Cell was included in The Original Print, a series of portfolios of prints by various avant-garde artists published to promote the revival of lithography and highlight its creative impact. All the works in the publication were “original prints,” a term that became popular during the second half of the nineteenth century to describe multiple, original works of art. Print publishers used it to distinguish artists’ prints, for which an artist creates an original composition, from “reproductive” prints, which are reproductions of existent works in other mediums.

Caption

Odilon Redon French, 1840–1916. Auricular Cell (Cellule auriculaire), 1894. Lithograph on wove paper, Image: 10 1/2 × 9 3/4 in. (26.7 × 24.8 cm) sheet: 23 3/16 × 16 15/16 in. (58.9 × 43 cm). Brooklyn Museum, Charles Stewart Smith Memorial Fund, 38.351. No known copyright restrictions

Gallery

Not on view

Collection

European Art

Title

Auricular Cell (Cellule auriculaire)

Date

1894

Medium

Lithograph on wove paper

Classification

Print

Dimensions

Image: 10 1/2 × 9 3/4 in. (26.7 × 24.8 cm) sheet: 23 3/16 × 16 15/16 in. (58.9 × 43 cm)

Signatures

Signed, "Od. R" in pencil at left; Artist's signature in black in (part of the impression) below the lower right corner of the image "Od. R"

Inscriptions

Embossed stamp: L'estampe originale; "57"(?) inscribed in graphite in lower right corner of secondary support sheet

Credit Line

Charles Stewart Smith Memorial Fund

Accession Number

38.351

Rights

No known copyright restrictions

This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Have information?

Have information about an artwork? Contact us at

bkmcollections@brooklynmuseum.org.