Reliquary Guardian Figure (Eyema-o-Byeri)

An Ntem River Valley Master; Fang (Mvai subgroup)

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Object Label

Loosely translated as “statue for Byeri” (the cult of ancestral worship), biyema biyeri represent Fang ancestors. Such figures topped bark containers that held the bones of revered ancestors, and also served as puppets during family initiation rites. This figure has childlike proportions and adult musculature, reflecting Fang beliefs about connected life cycles. Its triple braids mimic Mvaï warrior hairstyles. By the time Beauford Delaney created the painting at right, anthropologists had already recognized stylistic similarities among works from the Mvaï cultural region. Like his contemporaries, however, Delaney was more focused on how African works looked than on cultural details. Today, scholars—as well as many artists—recognize the importance of acknowledging who made revered African sculptures. Beginning in the 2000s, art historians determined the styles and the names of Fang master artists. Around 2011 this sculpture was attributed to a master artist from the Ntem River valley.

Caption

An Ntem River Valley Master; Fang (Mvai subgroup). Reliquary Guardian Figure (Eyema-o-Byeri), mid–18th to mid–19th century. Wood, iron, 23 × 5 3/4 × 5 in. (58.4 × 14.6 × 12.7 cm) . Brooklyn Museum, Frank L. Babbott Fund, 51.3. Creative Commons-BY

Gallery

Not on view

Collection

Arts of Africa

Title

Reliquary Guardian Figure (Eyema-o-Byeri)

Date

mid–18th to mid–19th century

Geography

Place made: Gabon

Medium

Wood, iron

Classification

Sculpture

Dimensions

23 × 5 3/4 × 5 in. (58.4 × 14.6 × 12.7 cm)

Credit Line

Frank L. Babbott Fund

Accession Number

51.3

Rights

Creative Commons-BY

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