The Old Forest

Charles-Émile Jacque

Brooklyn Museum photograph

Brooklyn Museum photograph

1 of 2

Object Label

In 1849 Charles-Émile Jacque settled in Barbizon, a village near what had become the center of landscape painting in France: the vast Forest of Fontainebleau. By that year, eight trains a day were traveling direct from Paris to Barbizon, bringing thousands of “nature tourists” from the city.

Here, Jacque portrays a blue-smocked peasant standing near one of Fontainebleau’s famous old trees, an image of labor made to seem gentle and timeless. The forest actually belonged to the French crown, which limited how villagers could use it. Sheep were only permitted to graze at the edge of the forest, for example.

Caption

Charles-Émile Jacque Paris, France, 1813 – 1894, Paris, France. The Old Forest, 1860–1870. Oil on canvas, 32 1/2 x 26 1/4 in. (82.6 x 66.7 cm) Frame: 43 1/2 x 37 1/2 x 4 1/2 in. (110.5 x 95.3 x 11.4 cm). Brooklyn Museum, Bequest of Mrs. William A. Putnam, 41.778. No known copyright restrictions (Photo: Brooklyn Museum, 41.778_SL1.jpg)

Gallery

Not on view

Collection

European Art

Title

The Old Forest

Date

1860–1870

Geography

Place made: France

Medium

Oil on canvas

Classification

Painting

Dimensions

32 1/2 x 26 1/4 in. (82.6 x 66.7 cm) Frame: 43 1/2 x 37 1/2 x 4 1/2 in. (110.5 x 95.3 x 11.4 cm)

Signatures

Signed lower left: "ch. Jacque."

Credit Line

Bequest of Mrs. William A. Putnam

Accession Number

41.778

Rights

No known copyright restrictions

This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • The painters of the Barbizon School were really interested in landscape painting; they wanted to depict nature directly, outside of the classical conventions. That's why you'll see so many landscapes in a similar style on that wall.

    I do love Fontainebleau.
    Many of the Barbizon school painters worked in the Forest of Fontainebleau, just outside of Paris, as nature, rather than urban life, provided inspiration for their works. They got their name from the nearby village of Barbizon.

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