Skip Navigation

Louisiana Rice Fields

Thomas Hart Benton

American Art

On View: American Art Galleries, 5th Floor, Radical Care
Thomas Hart Benton focused on the broad appeal of the commonplace, as seen in this painting of laboring rice harvesters. He described American “types” rather than specific individuals and places, and rendered them in a directly expressive, almost caricatured manner. Benton, and his peers in the American Scene movement of painting that arose in the late 1920s, deliberately abandoned European-derived subjects and urban settings in favor of imagery drawn from the rural United States.
MEDIUM Egg tempera and oil on Masonite
DATES 1928
DIMENSIONS 30 1/8 × 47 7/8 in. (76.5 × 121.6 cm) frame: 38 1/8 x 55 7/8 x 3 1/2 in. (96.8 x 141.9 x 8.9 cm)  (show scale)
SIGNATURE Signed lower right: "Benton"
COLLECTIONS American Art
ACCESSION NUMBER 38.79
CREDIT LINE John B. Woodward Memorial Fund
PROVENANCE Prior to 1938, provenance not yet documented; by 1938, acquired by Maynard Walker Gallery, New York, NY; May 5, 1938, purchased from Maynard Walker Gallery by the Brooklyn Museum.
Provenance FAQ
MUSEUM LOCATION This item is on view in American Art Galleries, 5th Floor, Radical Care
CAPTION Thomas Hart Benton (American, 1889–1975). Louisiana Rice Fields, 1928. Egg tempera and oil on Masonite, 30 1/8 × 47 7/8 in. (76.5 × 121.6 cm). Brooklyn Museum, John B. Woodward Memorial Fund, 38.79 (Photo: Brooklyn Museum, 38.79_PS1.jpg)
IMAGE overall, 38.79_PS1.jpg. Brooklyn Museum photograph, 2005
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.