The Critic

Lajos Tihanyi

Brooklyn Museum photograph

Object Label

Lajos Tihanyi was a member of the Budapest avant-garde group called The Eight, who were engaged with the modern art trends emerging in the early twentieth century across Europe. He left his native country after the fall of the Hungarian Democratic Republic in 1919, eventually settling in Paris. In this portrait of his friend the Hungarian literary critic Andor Halasi, he emphasized the sitter’s pronounced bone structure with a subtle play of light and shadow.

Caption

Lajos Tihanyi Budapest, present–day Hungary (former Austro–Hungarian Empire), 1885 – 1938, Paris, France. The Critic, 1916. Oil on canvas, 20 1/8 x 16 3/8 in. (51.1 x 41.6 cm) frame: 27 3/8 × 23 1/4 in. (69.5 × 59.1 cm). Brooklyn Museum, Gift of the Right Reverend John Torok, D.D., 29.1302. No known copyright restrictions (Photo: Brooklyn Museum, 29.1302_PS9.jpg)

Gallery

Not on view

Collection

European Art

Title

The Critic

Date

1916

Geography

Place made: Hungary

Medium

Oil on canvas

Classification

Painting

Dimensions

20 1/8 x 16 3/8 in. (51.1 x 41.6 cm) frame: 27 3/8 × 23 1/4 in. (69.5 × 59.1 cm)

Signatures

Signed and dated lower left: "Tihanyi L./1916"

Credit Line

Gift of the Right Reverend John Torok, D.D.

Accession Number

29.1302

Rights

No known copyright restrictions

This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • This is a painting by Hungarian artist Lajos Tihanyi, as you may have read on the label the subject of the painting is Andor Halasi, a literary critic Tihanyi knew well. Interestingly the majority of his works were portraiture, though it is unclear how the artist may have communicated with sitters.

    The artist was actually deaf and mute and was mostly self taught because of his hearing impairment. He was very inspired by Cubism which can be seen in fragmented planes of the critic’s face. His intensively psychological approach to painting, asserting the individual character of his subject, has led Tihanyi to be seen as a forerunner to Expressionism.

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