Fragmentary Relief of a King

ca. 664–525 B.C.E.

Brooklyn Museum photograph

Object Label

This is one of several paintings in which Thomas Eakins provided an imaginary glimpse of the Philadelphia sculptor William Rush carving The Water Nymph and Bittern, which was installed in Philadelphia's Centre Square In 1809. Although Eakins's initial motives came from a desire to restore Rush's name to the history of American art, his primary focus on the back of a strongly highlighted nude model also calls into play issues about traditional methods of art instruction. Rush was a founder of the Pennsylvania Academy of the Fine Arts, where Eakins taught for many years until 1886, when he was dismissed in a controversy about his allowing female students to attend life classes.

Caption

Fragmentary Relief of a King, ca. 664–525 B.C.E.. Basalt, 2 11/16 × 5 1/2 × 2 in. (6.8 × 13.9 × 5.1 cm). Brooklyn Museum, Gift of Evangeline Wilbour Blashfield, Theodora Wilbour, and Victor Wilbour honoring the wishes of their mother, Charlotte Beebe Wilbour, as a memorial to their father, Charles Edwin Wilbour, 16.237. Creative Commons-BY (Photo: Brooklyn Museum, CUR.16.237_wwg8.jpg)

Title

Fragmentary Relief of a King

Date

ca. 664–525 B.C.E.

Dynasty

Dynasty 26

Period

Late Period

Geography

Place made: Egypt

Medium

Basalt

Classification

Sculpture

Dimensions

2 11/16 × 5 1/2 × 2 in. (6.8 × 13.9 × 5.1 cm)

Credit Line

Gift of Evangeline Wilbour Blashfield, Theodora Wilbour, and Victor Wilbour honoring the wishes of their mother, Charlotte Beebe Wilbour, as a memorial to their father, Charles Edwin Wilbour

Accession Number

16.237

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

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