Skip Navigation

Canopic Chest

Egyptian, Classical, Ancient Near Eastern Art

On View: Funerary Gallery 3, Martha A. and Robert S. Rubin Gallery, 3rd Floor
A canopic chest could be used to hold the jars for mummified internal organs. On the lid is the falcon-shaped god Sokar, a form of the sun-god sometimes combined with Osiris, god of the dead. The sides of the chest represent the starry sky, at the top; then a winged sun-disk crossing the sky; and the protective Sons of Horus positioned in a temple-like façade. Below the temple are hieroglyphs that repeat the phrases “all life and dominion” and “life and endurance,” both associated with Isis and Osiris.
MEDIUM Wood, stucco, pigment
  • Reportedly From: Saqqara, Egypt
  • DATES ca. 380–30 B.C.E.
    DYNASTY Dynasty 26, or later
    PERIOD Late Period to Ptolemaic Period
    DIMENSIONS 20 1/16 x 8 11/16 x 9 7/16 in. (51 x 22 x 24 cm)  (show scale)
    ACCESSION NUMBER 37.1390E
    CREDIT LINE Charles Edwin Wilbour Fund
    CATALOGUE DESCRIPTION One box of wood, painted and gilded. Decorated with doors and a shrine to represent the same within an enclosure. The upper edge bears a cavetto cornice; the lid is surmounted by a gilded and painted falcon. The front bears the representation of the shrine within an enclosure; surmounted by a winged sun disk, just below the cornice. The left side bears the figures of two of the sons of Horus; Duamutef and Imsety, standing above the same stylized enclosure as is pictured on the front. On the right side we have the other two sons of Horus shown-Kebehsenuef and Hapi. They too stand on the stylized enclosure. On the rear, flanked by two doors is a Djed pillar caped by the Atef and flanked by two "blood of Isis" signs. All sides are surmounted by the winged sun disc. Below each vignette runs a frieze of signs. Rich polychrome is used. Green, blue, red brown, yellow, white, black, and of course, gilding are seen. The box rests on a projecting base which in turn is supported by two wooden slats, front and rear. Condition: The rear exhibits a large disfiguring crack, running from just under the cornice to the base. Part of the split panel has warped inward. Right and left sides have experienced some paint loss due to rubbing and exhibit areas of cracking of gesso (left side especially). Left side bears a large damage on the right hand margin. The fragments have been solidified and at some past date and are adhering in a "clump". Most all of the seams are "sprung", revealing the dwelling technique and the fact that the box was composed from many smaller fragments of wood. The lid has lost much gesso from this front edge, but has survived fairly well. A great deal of yellow paint has been rubbed off. The base is missing a great deal of both paint and gesso. Especially at the left rear and left front edges in this noticeable. A crackle pattern covers the entire surface. The box was meant to contain a canopic jar.
    CAPTION Canopic Chest, ca. 380–30 B.C.E. Wood, stucco, pigment, 20 1/16 x 8 11/16 x 9 7/16 in. (51 x 22 x 24 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.1390E. Creative Commons-BY (Photo: Brooklyn Museum, 37.1390E_reference_SL1.jpg)
    IMAGE overall, 37.1390E_reference_SL1.jpg. Brooklyn Museum photograph
    "CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
    RIGHTS STATEMENT Creative Commons-BY
    You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
    RECORD COMPLETENESS
    Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.