What is he wearing?
That's a good question! Albert Herter's "Pilgun Yoon Korean Actor in Theatrical Costume" depicts a Korean Actor in a traditional Qing Dynasty royal costume. . . playing Aladdin for a stage play.
I'm very confused about that. Aladdin isn't a Chinese story, right? I wonder how it became like that?
Great question! Herter was working with a very "Oriental" view of the East, in which anything Asian is exotic yet simultaneously homogenous and interchangeable. Obviously this kind of generalization and inaccuracy seems problematic to us today. However, in the past people often adopted different visual motifs and aesthetics without devoting much time to understanding different cultures beyond the surface.
History is complicated, and the western gaze of the exotic is very real. You might be more familiar with the French obsession with Japan known as "Japonisme," which is pretty similar.
What was the artist try to say when he painted this?
This is a portrait of the actor Pilgun Yoon in his costume for his role of Aladdin. The artist was using the traditional format of formal Chinese portraiture. The emphasis is definitely on the rich textiles.
This painting plays into the popularity of exoticism in the later 19th century, when Europeans and Americans were fascinated by all things foreign, especially Asian and Middle Eastern.
I am curious about Albert Herter’s obsession with Chinese decorative arts. Would you have more information about this particular painting and its subject?
This is quite a frequently asked about painting and we have been on the search for more information on the subject, Pilgun Yoon, for a long time.
The painting shows Yoon in the role of Aladdin, which was a popular theatrical production for Asian theater troupes to perform for American and English audiences.
Tell me more.
Many of Albert Herter's works reflect an interest in the Aesthetic Movement style. This painting shows Korean actor Pilgun Yoon in the role of Aladdin, which was a popular theatrical production for Asian theater troupes to performs at the time for American and English audiences.
Herter uses traditional, formal Chines portraiture as source material. You'll notice this in the solid colored background, the frontality of the subject, and the seated pose. His costume is actually a stylized variation on Qing dynasty court robes.
It may come as a surprise to learn that the character of Aladdin was originally depicted as Chinese, in both illustrations and theatrical productions. The story of Aladdin was an 18th century addition to 1001 Nights by French translator Antoine Galland. The original version takes place in a mythical version of China.
Tell me more.
You're looking at the portrait of actor Pilgun Yoon that was painted by Albert Herter in 1923. Pilgun Yoon is dressed here in the costume he wore to play Aladdin on stage.
The clothing is inspired by traditional Qing Dynasty royal costume. Herter also took cues from royal Chinese portraiture when painting the actor, showing this seated, frontal pose!
In the late 19th century, Orientalism was popular amongst Europeans and Americans, an aesthetic that emphasized all things "exotic" from Asia and the Middle East. This portrait plays into that trend.