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Object Label

Commissioned by John Hancock, president of the Continental Congress, the Philadelphia-based artist Charles Willson Peale painted George Washington as Commander-in-Chief just before the issuing of the Declaration of Independence. Washington enslaved more than three hundred people on his Virginia plantation prior to and during his tenure as the nation’s first president. However, the tension between the existence of slavery and the Declaration’s affirmation of freedom and equality (“all men are created equal”) is absent from Peale’s celebrated portrait.

Caption

Bowl, ca. 1295–1185 B.C.E.. Faience, 1 1/2 × Diam. 4 1/4 in. (3.8 × 10.8 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 34.1182. Creative Commons-BY (Photo: Brooklyn Museum, CUR.34.1182_NegA_print_bw.jpg)

Title

Bowl

Date

ca. 1295–1185 B.C.E.

Dynasty

Dynasty 19

Period

New Kingdom

Geography

Place made: Egypt

Medium

Faience

Classification

Vessel

Dimensions

1 1/2 × Diam. 4 1/4 in. (3.8 × 10.8 cm)

Credit Line

Charles Edwin Wilbour Fund

Accession Number

34.1182

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Could you tell me how faience was made?

    Faience is a man-made mixture of "ground quartz or quartz-sand held together by and alkaline binder. The bright and shiny surface seen on this figurine is a result of glazing. The glaze was made of a form of powdered glass mixed with a liquid and applied either with a brush or by dipping the entire figurine.
    It gets it's blue color from copper that is mixed into or applied to the surface of the quartz body before firing.

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