Amulet in Form of Hathor Head Inscribed for Hatshepsut & Senenmut
Egyptian, Classical, Ancient Near Eastern Art
On View: Egyptian Orientation Gallery, 3rd Floor
Personal Arts
The reigns of Hatshepsut through Thutmose IV represent a transitional phase in Eighteenth Dynasty art.
At first, artists continued to favor simple, elegant forms common earlier in the dynasty, but eventually they developed elaborate, highly detailed designs that dominated the dynasty’s final decades. Under Amunhotep II and Thutmose IV, for example, craftsmen increased the use of a soft, pastel blue pigment that had been invented during the reign of Thutmose III. Potters also molded vessels in human and animal form, and artisans rediscovered the Middle Kingdom fascination for colorful stones such as red carnelian.
Art historians consider the scarabs (beetleshaped amulets) of this era among the finest ever made. Figure Vase of Woman Holding Dog
MEDIUM
Carnelian
DATES
ca. 1478–1458 B.C.E.
DYNASTY
Dynasty 18
PERIOD
New Kingdom
DIMENSIONS
13/16 x 11/16 x 1/4 in. (2.1 x 1.7 x 0.7 cm)
(show scale)
INSCRIPTIONS
Four line inscription: "Beloved of Iwny.t [the goddess of Armant], the steward of Amun, Sen-mut". Single line inscription: The good god, Maat-ka-re".
ACCESSION NUMBER
61.192
CREDIT LINE
Gift of John Hewett
CATALOGUE DESCRIPTION
Carnelian amulet in the form of a Hathor head, pierced horizontally at top, back flat and inscribed in four lines “Beloved of Iwny.t (the goddess of Armant), the steward of Amun, Sen-mut”. On top edge single line “The good god, Maat-ka-re”. Very fine work.
Condition: A few minute chips on edges of back. Otherwise intact.
CAPTION
Amulet in Form of Hathor Head Inscribed for Hatshepsut & Senenmut, ca. 1478–1458 B.C.E. Carnelian, 13/16 x 11/16 x 1/4 in. (2.1 x 1.7 x 0.7 cm). Brooklyn Museum, Gift of John Hewett, 61.192. Creative Commons-BY (Photo: Brooklyn Museum, 61.192_SL1.jpg)
IMAGE
front, 61.192_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a
Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.
Were these worn as personal jewelry?
Rings and amulets like these were worn in life, and it was also common to bury a mummy adorned with jewelry.
You will see scarab beetles in a lot of jewelry, like the pieces here. To the Egyptians, the scarab represented the cycle of the sun and rebirth.
Dung beetles create balls of dung in which they lay their eggs and then roll the balls around the desert. When the eggs hatch they emerge from the dung ball as if by magic. Fascinated by this process, one Ancient Egyptian belief was that a similar beetle rolled the sun across the sky!