Cosmetic Dish in Form of Bound Oryx and Miniature Frog, ca. 1390–1279 B.C.E. Ivory, 13/16 x 3/8 x 1 3/4 in. (2.1 x 1 x 4.4 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 56.19. Creative Commons-BY (Photo: Brooklyn Museum, CUR.56.19_NegA_print_bw.jpg)
Cosmetic Dish in Form of Bound Oryx and Miniature Frog, ca. 1390–1279 B.C.E. Ivory, 13/16 x 3/8 x 1 3/4 in. (2.1 x 1 x 4.4 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 56.19. Creative Commons-BY (Photo: Brooklyn Museum, CUR.56.19_erg456.jpg)
Cosmetic Dish in Form of Bound Oryx and Miniature Frog, ca. 1390–1279 B.C.E. Ivory, 13/16 x 3/8 x 1 3/4 in. (2.1 x 1 x 4.4 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 56.19. Creative Commons-BY (Photo: Brooklyn Museum, CUR.56.19_NegB_print_bw.jpg)
Cosmetic Dish in Form of Bound Oryx and Miniature Frog
Egyptian, Classical, Ancient Near Eastern Art
On View: Egyptian Orientation Gallery, 3rd Floor
Wood, Bone, and Ivory in the New Kingdom
Egyptian artists were resourceful in overcoming the problems of working with difficult materials to make the objects seen here.
Egyptian trees, such as acacia, sycamore, and tamarisk, are too small to produce large planks. Carpenters working with native woods thus had to develop complicated joinery techniques to build large objects like coffins and furniture. For expensive luxury items they used timbers such as ebony, cedar, and juniper, imported from Nubia and Punt to the south and Syria and Lebanon to the northeast. Ancient craftsmen used tools that would be familiar to modern carpenters, including adzes, chisels, reamers, and saws. Many ancient Egyptian wooden objects left in tombs as funerary offerings have survived remarkably well. Undisturbed tombs maintain extremely stable climatic conditions, slowing the effects of repeated expansion and contraction that are so damaging to wood. Egypt’s relatively dry climate also discourages the growth of mold, insects, and microorganisms that feed on wood.
Ancient Egyptian ivory used for carving came from the tusks of elephants and hippopotami. Elephants had probably disappeared from Egypt by the end of the Predynastic Period (circa 3100 B.C.E.), so their ivory had to be imported from Nubia. Hippopotami remained common in the lower Nile Valley until the seventeenth century C.E. Some antiquities mistakenly said to be made of ivory are actually made of the bones or antlers of cattle, sheep, goats, and antelopes. Egyptians used the often ideally shaped leg bones of these animals to create the handles of tools or weapons.
Egyptian artists were resourceful in overcoming the problems of working with difficult materials to make the objects seen here.
Egyptian trees, such as acacia, sycamore, and tamarisk, are too small to produce large planks. Carpenters working with native woods thus had to develop complicated joinery techniques to build large objects like coffins and furniture. For expensive luxury items they used timbers such as ebony, cedar, and juniper, imported from Nubia and Punt to the south and Syria and Lebanon to the northeast. Ancient craftsmen used tools that would be familiar to modern carpenters, including adzes, chisels, reamers, and saws. Many ancient Egyptian wooden objects left in tombs as funerary offerings have survived remarkably well. Undisturbed tombs maintain extremely stable climatic conditions, slowing the effects of repeated expansion and contraction that are so damaging to wood. Egypt’s relatively dry climate also discourages the growth of mold, insects, and microorganisms that feed on wood.
Ancient Egyptian ivory used for carving came from the tusks of elephants and hippopotami. Elephants had probably disappeared from Egypt by the end of the Predynastic Period (circa 3100 B.C.E.), so their ivory had to be imported from Nubia. Hippopotami remained common in the lower Nile Valley until the seventeenth century C.E. Some antiquities mistakenly said to be made of ivory are actually made of the bones or antlers of cattle, sheep, goats, and antelopes. Egyptians used the often ideally shaped leg bones of these animals to create the handles of tools or weapons.
MEDIUM
Ivory
DATES
ca. 1390–1279 B.C.E.
DYNASTY
late Dynasty 18 to early Dynasty 19
PERIOD
New Kingdom
DIMENSIONS
13/16 x 3/8 x 1 3/4 in. (2.1 x 1 x 4.4 cm) (show scale)
COLLECTIONS
Egyptian, Classical, Ancient Near Eastern Art
ACCESSION NUMBER
56.19
CREDIT LINE
Charles Edwin Wilbour Fund
EXHIBITIONS
MUSEUM LOCATION
This item is on view in Egyptian Orientation Gallery, 3rd Floor
CAPTION
Cosmetic Dish in Form of Bound Oryx and Miniature Frog, ca. 1390–1279 B.C.E. Ivory, 13/16 x 3/8 x 1 3/4 in. (2.1 x 1 x 4.4 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 56.19. Creative Commons-BY (Photo: Brooklyn Museum, CUR.56.19_NegA_print_bw.jpg)
IMAGE
overall, CUR.56.19_NegA_print_bw.jpg. Brooklyn Museum photograph, 2013
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RIGHTS STATEMENT
Creative Commons-BY
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