Pair of Clappers in Form of Human Hands

ca. 1539–1190 B.C.E.

1 of 2

Object Label

Wood, Bone, and Ivory in the New Kingdom

Egyptian artists were resourceful in overcoming the problems of working with difficult materials to make the objects seen here.

Egyptian trees, such as acacia, sycamore, and tamarisk, are too small to produce large planks. Carpenters working with native woods thus had to develop complicated joinery techniques to build large objects like coffins and furniture. For expensive luxury items they used timbers such as ebony, cedar, and juniper, imported from Nubia and Punt to the south and Syria and Lebanon to the northeast. Ancient craftsmen used tools that would be familiar to modern carpenters, including adzes, chisels, reamers, and saws. Many ancient Egyptian wooden objects left in tombs as funerary offerings have survived remarkably well. Undisturbed tombs maintain extremely stable climatic conditions, slowing the effects of repeated expansion and contraction that are so damaging to wood. Egypt’s relatively dry climate also discourages the growth of mold, insects, and microorganisms that feed on wood.

Ancient Egyptian ivory used for carving came from the tusks of elephants and hippopotami. Elephants had probably disappeared from Egypt by the end of the Predynastic Period (circa 3100 B.C.E.), so their ivory had to be imported from Nubia. Hippopotami remained common in the lower Nile Valley until the seventeenth century C.E. Some antiquities mistakenly said to be made of ivory are actually made of the bones or antlers of cattle, sheep, goats, and antelopes. Egyptians used the often ideally shaped leg bones of these animals to create the handles of tools or weapons.

Caption

Pair of Clappers in Form of Human Hands, ca. 1539–1190 B.C.E.. Ivory, 49.58.1: 1 5/16 x 7 3/8 in. (3.3 x 18.8 cm) 49.58.2: 1 5/16 x 7 5/16 in. (3.3 x 18.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 49.58.1-.2. Creative Commons-BY (Photo: Brooklyn Museum, CUR.49.58.1_49.58.2_NegA_print.bw.jpg)

Title

Pair of Clappers in Form of Human Hands

Date

ca. 1539–1190 B.C.E.

Dynasty

Dynasty 18 to Dynasty 19

Period

New Kingdom

Geography

Place made: Egypt

Medium

Ivory

Classification

Musical Instrument

Dimensions

49.58.1: 1 5/16 x 7 3/8 in. (3.3 x 18.8 cm) 49.58.2: 1 5/16 x 7 5/16 in. (3.3 x 18.5 cm)

Credit Line

Charles Edwin Wilbour Fund

Accession Number

49.58.1-.2

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • What are clappers?

    This is a kind of musical instrument -- they would have been rattled against one another, as a percussive instrument. The ivory is actually quite durable!
  • The hand like pieces are described as "clappers" what are clappers?

    They are musical instruments! They would be shaken and rattled against each other to make a percussive noise. They're made of ivory -- but they are more durable than they look. I like the fact that they are carved to resemble hands -- and then the user would "clap" them.
  • What was the significance of these wonderful hands?

    They are part of the musical instrument section of the gallery, so these were actually used as part of a musical instrument ensemble. They are called "clappers" and were used as a percussion instrument like castanets or as a substitute for manual clapping.
  • Do you think the museum has misplaced the two hands? Why is the right hand on the left?

    With the curve of the two objects, it does make for a beautiful display, despite the thumbs being on the outside.
    The ancient Egyptians would really clap with objects like these so they would only be laid down flat when they were being stored.
    Is there any reason why they wouldn't clap with their own hands?
    Honestly, I wonder that myself! Perhaps it had to do with the type of sound that could be produced with ivory clappers, that they found it more pleasing than regular hands.
  • Why did the ancient Egyptian women use clappers?

    Clappers were actually percussion instruments used by women to keep rhythm in sacred and secular music. Musicians even played mood music in erotic situations, which is sometimes depicted in tombs.
    That made these objects valuable for inclusion in a burial, where conception and birth were essential to entering the afterlife.
    Interesting, got it! Thank you

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