Stela of Maaty and Dedwi

ca. 2170–2008 B.C.E.

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Object Label

The sculptor who carved this colorful funerary stela of the official Maaty and his wife, Dedwi, lived during the First Intermediate Period. At this time, the centralized royal government of the Old Kingdom had given way to local rulers, isolating provincial artists from the artistic traditions of the royal court. They developed local styles which, as on this stela, tended to be simple but lively.

Caption

Stela of Maaty and Dedwi, ca. 2170–2008 B.C.E.. Limestone, pigment, 28 7/16 x 20 1/2 x 2 1/16 in. (72.3 x 52.1 x 5.3 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 39.1. Creative Commons-BY (Photo: Brooklyn Museum, 39.1_reference_SL1.jpg)

Title

Stela of Maaty and Dedwi

Date

ca. 2170–2008 B.C.E.

Period

First Intermediate Period

Geography

Possible place collected: Naga ed-Deir, Egypt

Medium

Limestone, pigment

Classification

Sculpture

Dimensions

28 7/16 x 20 1/2 x 2 1/16 in. (72.3 x 52.1 x 5.3 cm)

Credit Line

Charles Edwin Wilbour Fund

Accession Number

39.1

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Does the large angular size of his skirt have any significance?

    The large angular kilt is common in Egyptian iconography. It is the kilt of an official and therefore helps to indicate Maaty's status.
    You'll see this type of kilt all through the galleries in reliefs and statues. Likely clothing never did this in real life but Egyptians never the less continue to depict it.
  • My daughter wants to know what materials were used to make the different colors.

    The colors in ancient Egyptian paintings are from minerals! Black would be from carbon, reds could be from ochre or iron oxides, green from malachite. It's so cool that we can still see the colors on objects that are thousands of years old!
  • Are the hieroglyphs colored for gender too?

    In general, they are not. These hieroglyphs seem to be colored randomly, if you look closely, you’ll notice that the same signs appear in different colors within this inscription. The heavily faded blue and green shades have little to do with gender.

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