Jar with Tubular Handles
Egyptian, Classical, Ancient Near Eastern Art
On View: Pre-Dynastic, Egyptian Galleries, 3rd Floor
Masterpieces of Stone Carving
During the Predynastic Period, Egyptians mastered the working of even the hardest stone.
They especially favored attractively colored stones, like the porphyry, breccia, and obsidian shown here. To create the mace head (war club) and jar in this case, an artisan laboriously ground and polished the stones with increasingly fine abrasives. A method called flaking—carefully applying pressure with another stone—produced the serrated obsidian object.
MEDIUM
Breccia
DATES
ca. 3500–3100 B.C.E.
PERIOD
Predynastic Period, Naqada II to Naqada III Period
DIMENSIONS
5 1/2 x greatest diam. 7 5/16 in. (14 x 18.5 cm)
(show scale)
ACCESSION NUMBER
35.1314
CREDIT LINE
Charles Edwin Wilbour Fund
PROVENANCE
Archaeological provenance not yet documented; by 1935, acquired by Kirkor Minassian, New York, NY; 1935, purchased from Kirkor Minassian by the Brooklyn Museum.
Provenance FAQ
CAPTION
Jar with Tubular Handles, ca. 3500–3100 B.C.E. Breccia, 5 1/2 x greatest diam. 7 5/16 in. (14 x 18.5 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 35.1314. Creative Commons-BY (Photo: Brooklyn Museum, 35.1314_view1_PS6.jpg)
IMAGE
overall, 35.1314_view1_PS6.jpg. Brooklyn Museum photograph, 2011
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a
Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.
Can you help me understand how this was made?
Carving stone was a very slow and laborious process that involved using sand as an abrasive to wear down the stone. To carve out the interior of this vessel, a hole would first be drilled and then more of stone rubbed away with abrasives.