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Cartonnage of Nespanetjerenpere

Egyptian, Classical, Ancient Near Eastern Art

On View: 19th Dynasty to Roman Period, Martha A. and Robert S. Rubin Gallery, 3rd Floor
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In Egyptian funerary practices, the body was sometimes encased and protected in a mask or coffin made of cartonnage, plastered and painted layers of linen or papyrus. This brightly painted and well-preserved example was made for a man named Nespanetjerenpere. He lived in Thebes during Dynasty 22 and held the high title of Fourth Priest of the god Amun.

Drawn mainly from chapter 42 of the Book of the Dead, the decoration on Nespanetjerenpere’s cartonnage features gods, goddesses, and symbols associated with rebirth and protection. The hieroglyphic texts describe various body parts and associate them with specific deities. In the top register, for example, the head is identified with Re, while in the bottom register, the feet are connected with Ptah.

The back of the cartonnage depicts the gods Horus and Thoth erecting a djed pillar, a symbol for stability and the backbone of Osiris, lord of the underworld. Below, Nespanetjerenpere stands on either side of the goddess Nut, receiving sacred water and sweet breath. Further down, a Nile deity kneels under an arch of ankhs, symbolizing life. Together the imagery and texts were designed to magically ensure that Nespanetjerenpere’s mummified body would remain intact, so his soul could be reborn and sustained.

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Gallery Label

The decoration of Nespanetjerenpare's cartonnage richly details the theme of resurrection and permanence. Above the wesekh-collar is a protective pectoral in the form of a djed-pillar and a tyet-amulet. The djed-pillar is the hieroglyphic writing of the word "stability" or "endurance," and the sign tyet, often written in association with djed, expresses the idea of well-being. Below the wesekh-collar is a ram-headed falcon pendant, a representation of the solar god as he travels through the underworld at night. The cartonnage base is decorated with ankh-signs and was-scepters, the hieroglyphs for "life" and "power." The small registers in the front depict a variety of deities associated with the parts of the body—like the eyes, lips, and teeth—deities who serve to protect the owner and keep his mummy bound together for eternity.


On the back of the cartonnage are two representations of the ba, the human-headed bird that is the spiritual form of Nespanetjereripare as he lives on in the realm of the dead. Below are shown Horus and Thoth erecting a djed-pillar in the next lower register a double image of Nespanetjerenpane receives from a goddess two vases containing life-giving waters in the lowest register he is shown sitting under a stream of ankh-signs. What at first glance might seem to be a random assembly of decorative elements is a carefully assembled collage of images that continues the expression of the Egyptian funerary beliefs seen on the front.
MEDIUM Cartonnage, pigment, glass, lapis lazuli
  • Reportedly From: Thebes, Egypt
  • DATES ca. 945–718 B.C.E.
    DYNASTY Dynasty 22
    PERIOD Third Intermediate Period
    DIMENSIONS 69 11/16 x 17 5/16 in. (177 x 44 cm) Height to top of beard: 14 3/4 in. (37.5 cm)  (show scale)
    ACCESSION NUMBER 35.1265
    CREDIT LINE Charles Edwin Wilbour Fund
    PROVENANCE Archaeological provenance not yet documented; before 1934, acquired by the Scheurleer Museum, the Hague, the Netherlands; 1935, purchased from the Scheurleer Museum by the Fondation Egyptologique Reine Elisabeth; 1935, purchased from the Fondation Egyptologique Reine Elisabeth by the Brooklyn Museum.
    Provenance FAQ
    CATALOGUE DESCRIPTION Cartonnage of the mummy of a Theban priest Nespanetjerenpere of the XXII dynasty. The mummy is missing. The head is covered by a large wig symbolizing divinity along with the braided beard. The face is painted bright red with the eyebrows and outlines of the eyes of lapiz lazuli, the eyes being of glass. A pectoral is painted on the breast just above the large bull-headed bird covering the breast. On the balance of the cartonnage are painted religious scenes describes in detail in the January 1937 issue of the Brooklyn Museum Quarterly. Nespaneterenpare was a god-father of Amun, one of those priests who were free to enter the sanctuary. He had been a prophet of the fourth class of Amun of Karnak and also bore the special title of priest of Hermonthis. He was the son of Sin-a-Amun. If the latter was the father of the Thoutemes quoted in the celebrated inscription of Pinedjem II of Karnak, the date of the cartonnage would be the XXI Dynasty. Condition: the lower part of the upper half of the piece has been exposed to dampness and some of the hieroglyphs have been lost. The band running around the feet has split and the bottom of the case (soles of the feet) is missing. The balance of the painting is in almost pristine condition. The case is in the usual two pieces. Part of the underside of the case is missing.
    CAPTION Cartonnage of Nespanetjerenpere, ca. 945–718 B.C.E. Cartonnage, pigment, glass, lapis lazuli, 69 11/16 x 17 5/16 in. (177 x 44 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 35.1265. Creative Commons-BY (Photo: Brooklyn Museum, 35.1265_color_corrected_SL3.jpg)
    IMAGE front, 35.1265_color_corrected_SL3.jpg. Brooklyn Museum photograph
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