<em>Amarna King</em>, ca. 1352–1336 B.C.E. Limestone, pigment, gold leaf, 8 3/8 x 1 7/8 in. (21.3 x 4.8 cm). Brooklyn Museum, Gift of the Egypt Exploration Society, 29.34. Creative Commons-BY (Photo: Brooklyn Museum, 29.34_SL3.jpg)

Amarna King, ca. 1352–1336 B.C.E. Limestone, pigment, gold leaf, 8 3/8 x 1 7/8 in. (21.3 x 4.8 cm). Brooklyn Museum, Gift of the Egypt Exploration Society, 29.34. Creative Commons-BY (Photo: Brooklyn Museum, 29.34_SL3.jpg)

DOWNLOAD

Download our app and ask your own questions during your visit. Here are some that others have asked.

I was looking at the A Woman’s Afterlife: Gender Transformation in Ancient Egypt and my question was about the statuette of the pharaoh who was described as having both gender traits. Do you know if ancient Egyptian queens also had a similar gender fluidity in life?

Through much of ancient Egyptian history, no, but at the time that the statuette in question was created, kind of. During the reign of a pharaoh who called himself Akhenaten, a time also referred to as the Amarna Period, the pharaoh changed the official religion as well as aspects of the roles of the king and queen. You may have heard of Akhenaten's primary wife, Nefertiti. The most famous depiction of her shows her as very feminine, but there are numerous indications that she participated in traditionally male activities and activities reserved for the king. Beyond the typical roles of a queen. The goal was to portray both the king and queen as all-powerful and all-encompassing beings.

Oh, very cool! I did not know that Nefertiti was a part of this. Thanks for your help!

Did ancient Egyptians handle gender also in a binary way: male/female? Was the language always clear about the categorization of people as either or? I am wondering this because of the Amarna statue in the exhibition which represents both genders.

Yes the Ancient Egyptians did have rigid gender binaries and their language represented this.

During the Amarna period it is true that the Pharaoh and Queen were sometimes depicted as non-binary, but this only applies to them, King Akhenaten and Queen Nefertiti. As they were seen as near divine, they could appear both male and female. It helped emphasize their omnipotent power. Normal people were always binary.

Thanks. Even more impressive that they considered gender transformations possible.

Agreed! For the Ancient Egyptians language was very powerful! Saying the word for bread by a tomb effectively created bread for the deceased to eat, much the same that language could transform a woman into a man and back again.

Tell me more.

This statuette of a king is really interesting. You don't often think of androgyny in ancient Egyptian art, but it was popular in depictions of the king and queen for a very brief period. During the "Amarna Period," Akhenaten and Nefertiti were depicted with somewhat fluid gender traits which has been interpreted as making them appear more omniscient and all encompassing, more like representations of gods on Earth.

He is actually my favorite person from ancient Egypt.

We have a number of great works from the Amarna Period on view in the Egyptian galleries!

I'll look for them. Thank you.

How do people determine that his belly is a depiction of male pregnancy rather than just a pot belly?

Those conclusions were probably drawn from multiple depictions of Akhenaten's body portrayed that way with contextualizing information in associated texts, especially in the case of reliefs.

It is also worth mentioning that, though artistic styles changed during Akhenaten's reign, Egyptian art was largely idealizing. It emphasized perpetual youthfulness, strength, and vigor of the king. This may suggest that his large belly has a deeper meaning than simply a representation of reality.

Thank you!

I was wondering about the assertion in the text stating this is an example of gender fluidity in ancient egypt.

The clothing of this individual is that of a male king, in this case, likely Akhenaten. His swollen belly is understood here as representing pregnancy. Both Akhenaten and Nefertiti were depicted with both male and female traits.

This is often understood as a representation of their omnipotence. In the context of “A Woman’s Afterlife” it also illustrates the precedent for gender transformation in another aspect of Egyptian religion.

This is relatively new research, right? I was always taught that depictions like that statue are examples of more realism in the art (this was years ago in college)

That's right! Taking into consideration things like Nefertiti being depicted with red skin, a color typically reserved for men and a concept explored in this exhibition.

Thanks! And thanks for answering my question! This is a really cool service!

Amarna King

Egyptian, Classical, Ancient Near Eastern Art

During the Amarna period, artists portrayed the king and queen as beings who combined male and female traits. The king’s gender-flexibility ensured the fertility of the earth and all living creatures. A royal male with female sexual characteristics was the source for the belief that individuals could assume both male and female traits in the tomb.

Here, the king’s distended belly reveals that he is pregnant. This feminized vision of a king has narrow shoulders, a soft torso, and female breasts. The king’s red skin, understood to be the color of the disk of the sun, associated him with the sun-god Re: after death, all Egyptians hoped for transformation into Re-Osiris to travel to and then live in the afterlife.

MEDIUM Limestone, pigment, gold leaf

Place Excavated: Tell el-Amarna, Egypt

DATES ca. 1352–1336 B.C.E.

DYNASTY late Dynasty 18

PERIOD New Kingdom, Amarna Period

DIMENSIONS 8 3/8 x 1 7/8 in. (21.3 x 4.8 cm) (show scale)

COLLECTIONS Egyptian, Classical, Ancient Near Eastern Art

ACCESSION NUMBER 29.34

CREDIT LINE Gift of the Egypt Exploration Society

CATALOGUE DESCRIPTION Standing limestone statuette of a king, probably Akhenaten, wearing the Blue Crown. Hands at side. Uraeus, necklace and kilt overlaid with gold leaf. Flesh painted red; no inscription. Condition: Head broken off at neck and replaced. Figure restored in Oxford from ankles down. Paint chipped. Otherwise good.

EXHIBITIONS

MUSEUM LOCATION This item is not on view

CAPTION Amarna King, ca. 1352–1336 B.C.E. Limestone, pigment, gold leaf, 8 3/8 x 1 7/8 in. (21.3 x 4.8 cm). Brooklyn Museum, Gift of the Egypt Exploration Society, 29.34. Creative Commons-BY (Photo: Brooklyn Museum, 29.34_SL3.jpg)

IMAGE overall, 29.34_SL3.jpg. Brooklyn Museum photograph

"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.

RIGHTS STATEMENT Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

RECORD COMPLETENESS

Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.