Neferhotep in the Crown of Upper and Lower Egypt

ca. 380–30 B.C.E. or later

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Object Label

Many deities in the official Egyptian pantheon can be recognized by their headdresses. The Double Crown of the beneficent goddess Mut, whose name means “mother,” characterizes her as a conveyor of kingship and the divine mother of pharaoh. Amun, whose name means “hidden,” is portrayed as a man wearing a tall, plumed crown. When he appears with a solar disk at the base of the crown, he is known as Amun-Re, who possesses both hidden and solar creative powers. When shown in tightly enveloping garb and with an erection, he may be called Amun-Re-Kamutef, associated with fertility and regeneration. An amulet in this virile attitude would have held the promise of eternal rebirth after death. Monthly rebirth is also invoked by the full and crescent moons of Khonsu, the divine heir of Amun and Mut.

In popular religion the protection of pregnancy and birth was entrusted to such deities as Taweret and Bes. The appearance of Taweret, “The Great One,” as a pregnant hippopotamus with lion and crocodile features is a dramatic symbol of protective motherhood. The dwarf with a lion’s face and legs likely represents Bes, who was worshipped in the home as a protector of motherhood, birth, and rebirth.

Caption

Neferhotep in the Crown of Upper and Lower Egypt, ca. 380–30 B.C.E. or later. Bronze, 8 3/4 x 1 5/16 x 2 15/16 in. (22.2 x 3.4 x 7.5 cm) mount: 10 3/4 x 3 x 4 in. (27.3 x 7.6 x 10.2 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 08.480.50. Creative Commons-BY (Photo: Brooklyn Museum, CUR.08.480.50_wwg8.jpg)

Title

Neferhotep in the Crown of Upper and Lower Egypt

Date

ca. 380–30 B.C.E. or later

Period

Late Period to Ptolemaic Period

Geography

Place collected: Egypt

Medium

Bronze

Classification

Sculpture

Dimensions

8 3/4 x 1 5/16 x 2 15/16 in. (22.2 x 3.4 x 7.5 cm) mount: 10 3/4 x 3 x 4 in. (27.3 x 7.6 x 10.2 cm)

Credit Line

Charles Edwin Wilbour Fund

Accession Number

08.480.50

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Why all the sculpture left foot is forward?

    The left foot forward is used to imply movement, power and stepping into the future. It directly relates to Egyptian hieroglyphs. The reasoning for the left foot specifically relates to the way hieroglyphs were most commonly read, from right to left, and always into the faces of figures. You might notice women are shown with both feet together or their left feet only slightly advanced due to the tight dresses they're shown wearing. So the step is certainly tied to masculinity and is gendered!

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