Seated Faun
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Object Label
In Seated Faun, Janet Scudder took as inspiration the part-human, part-goat figure found in classical mythology. One of only a handful of internationally known female sculptors in America at the time, Scudder studied in Paris and became the first woman employed at the Paris studio of the sculptor Frederick MacMonnies.
She later made a name for herself crafting ornamental sculptures for the formal gardens of estates designed by the architect Stanford White. Admired by White, whose firm designed the Brooklyn Museum, Scudder was even selected as the only female to produce a sculpture, Japanese Art, for the Museum’s facade.
Caption
Janet Scudder American, 1873–1940. Seated Faun, 1924. Bronze, 38 x 14 3/8 x 18 1/4 in. (96.5 x 36.5 x 46.4 cm). Brooklyn Museum, Robert B. Woodward Memorial Fund, 26.184. No known copyright restrictions (Photo: Brooklyn Museum, 26.184_front_PS1.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
Seated Faun
Date
1924
Medium
Bronze
Classification
Dimensions
38 x 14 3/8 x 18 1/4 in. (96.5 x 36.5 x 46.4 cm)
Signatures
Incised along bottom of base, proper right side, in script: "Janet Scudder / 1924"
Markings
Incised along bottom of base, back side at proper right corner: "Alexis Rudier / Fondeur Paris"
Credit Line
Robert B. Woodward Memorial Fund
Accession Number
26.184
Rights
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
Frequent Art Questions
LOL whaaaat?!
That is a sculpture of a 'Seated Faun' - a faun is a mythical being from ancient Greece that is half-human (the top half, with the addition of goat horns), half-goat (the bottom half).This sculpture, completed by the American artist Janet Scudder in 1924, is an example of a period during American art history called Neoclassicism when Americans were looking back and basing art on the art of Classical Greece and Rome.Why?Neoclassical artists wanted to make a "true style" that could be used across all areas of the visual arts. People looked to the art of ancient Greece and Rome for the simplicity, harmony and proportions. This art was thought to be 'supreme' over other styles and so artists of the 19th and 20th centuries based what they were doing off of Classical art.I feel this one is very special. What he is doing here?
Janet Scudder's "Seated Faun" shows us a mythological figure -- a faun is half-boy, half-goat and plays the pipes. Scudder made many sculptures for outdoor fountains and other garden displays.Scudder was working at a time when few women were represented in American sculpture and when they were, they were pigeon-holed into producing small-scale figures of women and children, while men got the majority of the "important" large sculptural commissions for monuments and public buildings.This is cool.
We're glad you like it! The artist was looking back on subjects from classical Greece and Rome for inspiration in the subject and the style. A faun is half-human and half-goat. You can see its little horns peeking out from its hair if you look closely.What is this sculpture made out of?
This Seated Faun is made of bronze.The molten bronze would have been cast in a mold. The surface was likely then treated with potassium sulfide to achieve this dark color.
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