Late November in a Santa Barbara Cañon, California
Samuel Colman
American Art
The vibrant sketchiness of this landscape, in which sharp, bright highlights accent broadly toned areas, demonstrates how completely Samuel Colman had abandoned the Hudson River School landscape aesthetic (known for its careful attention to detail and finish) by the 1880s. An avid traveler and an equally dedicated practitioner of the portable medium of watercolor, Colman had a particular taste for the muted tones of the arid landscapes of California and Mexico, which he visited repeatedly in the eighties and nineties.
MEDIUM
Transparent and opaque watercolor with touches of pastel on rose-tinted, moderately thick, moderated textured wove paper
DATES
1888
DIMENSIONS
12 x 15 in. (30.5 x 38.1 cm)
Frame: 18 x 24 x 1 1/2 in. (45.7 x 61 x 3.8 cm) (show scale)
SIGNATURE
Signed lower right: "Saml Colman"
INSCRIPTIONS
Inscribed lower left: "Santa Barbara, Cala."; inscribed lower right below signature in very faint pencil (legible with infrared): "Sierra Madre Villa, Jany[?] 88--"
COLLECTIONS
American Art
ACCESSION NUMBER
77.102.2
CREDIT LINE
Dick S. Ramsay Fund
EXHIBITIONS
MUSEUM LOCATION
This item is not on view
CAPTION
Samuel Colman (American, 1832–1920). Late November in a Santa Barbara Cañon, California, 1888. Transparent and opaque watercolor with touches of pastel on rose-tinted, moderately thick, moderated textured wove paper, 12 x 15 in. (30.5 x 38.1 cm). Brooklyn Museum, Dick S. Ramsay Fund, 77.102.2 (Photo: Brooklyn Museum, 77.102.2.jpg)
IMAGE
overall, 77.102.2.jpg. Brooklyn Museum photograph
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