Train
Reginald Marsh
American Art
The urban realist Reginald Marsh depicted modern New York life—burlesque theaters, crowded subways, popular beaches—in a variety of media. Watercolor allowed him to work quickly, a manner that he had developed as a newspaper and magazine illustrator. In this picture, Marsh used both dry and wet washes: note how he blurred the outline of the locomotive by letting wet paints bleed into each other in order to convey the sense of the train’s velocity as it speeds through the landscape.
MEDIUM
Transparent and opaque watercolor over graphite on cream, thick, moderately textured wove paper
DATES
1930
DIMENSIONS
13 15/16 x 19 15/16 in. (35.4 x 50.6 cm)
Frame: 24 x 30 x 1 1/2 in. (61 x 76.2 x 3.8 cm)
(show scale)
SIGNATURE
Signed lower right: "R. MARSH 1930"
INSCRIPTIONS
On verso, lower right: stamped in red ink "F. MARSH COLLECTION / CAT." and inscribed in pencil "wc 30-22"
ACCESSION NUMBER
79.85.1
CREDIT LINE
Gift of the Estate of Felicia Meyer Marsh
MUSEUM LOCATION
This item is not on view
CAPTION
Reginald Marsh (American, 1898–1954). Train, 1930. Transparent and opaque watercolor over graphite on cream, thick, moderately textured wove paper, 13 15/16 x 19 15/16 in. (35.4 x 50.6 cm). Brooklyn Museum, Gift of the Estate of Felicia Meyer Marsh, 79.85.1. © artist or artist's estate (Photo: Brooklyn Museum, 79.85.1.jpg)
IMAGE
overall, 79.85.1.jpg. Brooklyn Museum photograph, 2005
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
© artist or artist's estate
Copyright for this work may be controlled by the artist, the artist's estate, or other rights holders. A more detailed analysis of its rights history may, however, place it in the public domain.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.