Trees Against the Sky
Karl Schrag
American Art
The art of Karl Schrag, a German émigré to the United States in 1938, was liberated by the war’s end, when he allowed himself to move from politically positioned subjects to the more neutral art of landscape. In 1945 he also began to remake his stylistic approach under the influence of the innovative British printmaker William Stanley Hayter, joining Hayter’s studio, Atelier 17, in Greenwich Village. In both his prints and paintings, Schrag developed a more abstracted use of line with the aim of heightening the sense of motion in the images.
MEDIUM
Transparent and opaque watercolor, porous pen (felt-tip marker), crayon, ink, and mixed media on cream, moderately thick, slightly textured wove paper
DATES
1946
DIMENSIONS
22 9/16 x 15 7/16 in. (57.3 x 39.2 cm)
(show scale)
MARKINGS
Watermark in paper: "1940 ENGLAND / B"
ACCESSION NUMBER
47.113
CREDIT LINE
Dick S. Ramsay Fund
MUSEUM LOCATION
This item is not on view
CAPTION
Karl Schrag (American, 1912–1995). Trees Against the Sky, 1946. Transparent and opaque watercolor, porous pen (felt-tip marker), crayon, ink, and mixed media on cream, moderately thick, slightly textured wove paper, 22 9/16 x 15 7/16 in. (57.3 x 39.2 cm). Brooklyn Museum, Dick S. Ramsay Fund, 47.113. © artist or artist's estate (Photo: Brooklyn Museum, 47.113.jpg)
IMAGE
overall, 47.113.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
© Karl Schrag LLC
The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
If you wish to contact the rights holder for this work, please email
copyright@brooklynmuseum.org and we will assist if we can.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.