Samuel Fleet Homestead
Frances Flora Palmer
American Art
Frances “Fanny” Palmer was a professional artist who worked for the famous printmaking firm of Currier & Ives for twenty years. Although watercolor was considered a polite accomplishment for genteel women—what an 1856 writer referred to as a “husband-catcher”—it was rare for a woman to have an artistic career in the mid-nineteenth century. This picture of a handsome Neoclassical mansion on Fulton Street in Brooklyn demonstrates Palmer’s deft control of the watercolor medium and her eye for anecdotal detail.
MEDIUM
Transparent and opaque watercolor over graphite on cream, moderately thick, slightly textured wove paper mounted to Japanese paper.
DATES
ca. 1850s
DIMENSIONS
18 3/8 x 27 1/4 in. (46.7 x 69.2 cm) (show scale)
MARKINGS
Partial watermark in paper: "J WHAT ... / 184"
SIGNATURE
Signed lower left: "F. F. Palmer"
COLLECTIONS
American Art
ACCESSION NUMBER
43.171
CREDIT LINE
Bequest of Clara H. Baxter
EXHIBITIONS
MUSEUM LOCATION
This item is not on view
CAPTION
Frances Flora Palmer (American, 1812â1876). Samuel Fleet Homestead, ca. 1850s. Transparent and opaque watercolor over graphite on cream, moderately thick, slightly textured wove paper mounted to Japanese paper., 18 3/8 x 27 1/4 in. (46.7 x 69.2 cm). Brooklyn Museum, Bequest of Clara H. Baxter, 43.171 (Photo: Brooklyn Museum, 43.171_SL1.jpg)
IMAGE
overall, 43.171_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply).
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright.
If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.
