Skip Navigation

Paul Cadmus

Luigi Lucioni

American Art

On View: American Art Galleries, 5th Floor, Witness
Luigi Lucioni and Paul Cadmus probably met as students, and they doubtless shared acquaintances within New York’s circles of gay artists and writers. Lucioni’s likeness of Cadmus celebrated the shared passion of two young moderns for the ideal forms of Italian Renaissance art, particularly the paintings of Piero della Francesca. Within a modern close-up format, he captured a gaze that is at once tentative and mesmerizing.
MEDIUM Oil on canvas
DATES 1928
DIMENSIONS 16 x 12 1/8 in. (40.6 x 30.8 cm) Frame: 20 3/8 x 16 1/2 x 2 in. (51.8 x 41.9 x 5.1 cm)  (show scale)
SIGNATURE Signed upper right: "L. Lucioni 28"
COLLECTIONS American Art
ACCESSION NUMBER 2007.28
CREDIT LINE Dick S. Ramsay Fund
PROVENANCE Ca. 1928, gift of the artist to Paul Cadmus; 1988, inherited from Paul Cadmus by Jon Anderson; September 12, 2007, purchased at Christie’s New York, “Fine American Paintings, Drawings and Sculpture” by the Brooklyn Museum.
Provenance FAQ
MUSEUM LOCATION This item is on view in American Art Galleries, 5th Floor, Witness
CAPTION Luigi Lucioni (American, born Italy, 1900–1988). Paul Cadmus, 1928. Oil on canvas, 16 x 12 1/8 in. (40.6 x 30.8 cm). Brooklyn Museum, Dick S. Ramsay Fund, 2007.28 (Photo: Brooklyn Museum, 2007.28_PS2.jpg)
IMAGE overall, 2007.28_PS2.jpg. Brooklyn Museum photograph, 2009
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT Orphaned work
After diligent research, the Museum is unable to locate contact information for the artist or artist's estate, or there are no known living heirs. Copyright for this work may be controlled by the artist, the artist's estate, or other rights holders. A more detailed analysis of its rights history may, however, place it in the public domain. The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.