Southern Landscape (Southern Flood)
Eldzier Cortor
American Art
On View: American Art Galleries, 5th Floor, Trouble the Water
Already committed to a realistic style and to African American subjects, Eldzier Cortor was on his way to the Georgia Sea Islands when he was inspired to paint this image. A languid young couple is shown picnicking before the backdrop of a valley that has been flooded to construct a hydroelectric dam. Cortor endowed the muscular figures with a calm stoicism, modeling their facial features on the fixed and powerful forms of African masks. According to the artist, “[It] was created from my feelings in the face of devastation, and the two figures represent youth with hope.”
MEDIUM
Tempera and gesso on board
DATES
ca. 1944–1945
DIMENSIONS
20 x 34 in. (50.8 x 86.4 cm)
frame: 26 x 40 x 1 1/2 in. (66 x 101.6 x 3.8 cm)
(show scale)
ACCESSION NUMBER
2006.2
CREDIT LINE
Gift of Mr. and Mrs. Abraham Adler and bequest of Laura L. Barnes, by exchange
CAPTION
Eldzier Cortor (American, 1916–2015). Southern Landscape (Southern Flood), ca. 1944–1945. Tempera and gesso on board, 20 x 34 in. (50.8 x 86.4 cm). Brooklyn Museum, Gift of Mr. and Mrs. Abraham Adler and bequest of Laura L. Barnes, by exchange, 2006.2. © artist or artist's estate (Photo: Brooklyn Museum, 2006.2_PS1.jpg)
IMAGE
overall, 2006.2_PS1.jpg. Brooklyn Museum photograph, 2007
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
© Eldzier Cortor
The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
If you wish to contact the rights holder for this work, please email
copyright@brooklynmuseum.org and we will assist if we can.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.
What is the story?
Cortor said of this work: "The painting was created from my feelings in the face of devastation and the two figures represent youth with hope." The scene depicts the Sea Islands off the coast of Georgia and South Carolina, where towns were flooded by the construction of new hydroelectric dams. Cortor was visiting the area on a Rosenwald Fellowship in 1945. The fellowship focused on social issues, especially those faced by African Americans in the rural South.