Mrs. David Forman and Child
Charles Willson Peale
American Art
On View: American Art Galleries, 5th Floor, Several Seats
The wife of a wealthy Continental Army officer and the mother of eleven children, Mrs. David Forman was portrayed by Charles Willson Peale in an interior that was meant to suggest the elegance and bounty of her domestic life. She sits on a chair with scrolling acanthus leaves, alluding to ancient Greek and Roman decoration. The presence of the landscape painting behind her signaled the cultured life of the Forman household, and the gently idealized curves of its composition offered a parallel to the sitter’s natural feminine beauty and grace.
MEDIUM
Oil on canvas
DATES
ca. 1785
DIMENSIONS
51 × 39 3/8 in. (129.5 × 100 cm)
frame: 56 × 44 1/2 × 2 1/2 in. (142.2 × 113 × 6.4 cm)
(show scale)
SIGNATURE
Unsigned
ACCESSION NUMBER
23.51
CREDIT LINE
Carll H. de Silver and Museum Collection Fund
PROVENANCE
ca. 1785, commissioned from the artist by David Forman and Ann Marsh Forman (Mrs. David Forman) of Monmouth County, NJ; 1798, inherited from Ann Marsh Forman by Malvina Forman of Fauquier County, VA; between 1876 and 1913, provenance not yet documented; before 1913, acquired by George Latham Fletcher of Virginia; May 6, 1913, purchased from George Latham Fletcher by M. Knoedler & Co., New York, NY; January 20, 1923, purchased from M. Knoedler & Co. by the Brooklyn Museum.
Provenance FAQ
CAPTION
Charles Willson Peale (American, 1741–1827). Mrs. David Forman and Child, ca. 1785. Oil on canvas, 51 × 39 3/8 in. (129.5 × 100 cm). Brooklyn Museum, Carll H. de Silver and Museum Collection Fund, 23.51 (Photo: Brooklyn Museum, 23.51_PS20.jpg)
IMAGE
overall, 23.51_PS20.jpg. Brooklyn Museum photograph, 2024
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Do you know what she is holding and whether it is significant?
Yes! In this portrait by Charles W. Peale, Mrs. David Forman is holding cherries, which were a common symbol of love or matrimony.
The artist likely borrowed the motif from the recently published book "Emblems for the Improvement and Entertainment of Youth." Fruits and flowers in Colonial American portraits also showed that the sitters had access to these luxuries and maybe even cultivated and grew the fruit or flowers themselves, which was considered an accomplishment.