Dogwood Flower
Sugiura Yasuyoshi
Asian Art
With great attention to detail and form, Sugiura Yasuyoshi sculpted the leafy sepals, pink-tipped petals, and delicate blossoms of this oversize kousa dogwood flower. The bloom is known for its delicate yet tough appearance, a contrast that Yasuyoshi captures through a combination of shapes, textures, and glazes. The artist’s meticulous enlargements of flora reveal a deep appreciation for the beauty of nature and the possibilities of ceramics.
MEDIUM
Glazed stoneware with metallic glazes
DATES
2019
DIMENSIONS
17 3/8 × 17 3/8 × 15 in. (44.1 × 44.1 × 38.1 cm)
(show scale)
SIGNATURE
Signed "Yasuyoshi Sugiura" and object is accompanied by a certificate of authenticity from the artist.
INSCRIPTIONS
Object is inscribed: :Sanposhi no hana Yasuyoshi (Kousa Dogwood Yasuyoshi). Object is accompanied by a certificate of authenticity.
ACCESSION NUMBER
2020.14
CREDIT LINE
Gift of Joan B. Mirviss in honor of Alan Beller
CATALOGUE DESCRIPTION
Porcelain re-creation of the flower from a kousa dogwood tree, with four pink-tipped petals (actually outer leaves, called bracts), surrounding a large central ball of miniature flowers, consisting of hundreds of small greenish-white spikes topped by brown balls; behind the bracts are four brownish outer leaves finished in gold and platinum to simulate dried foliage, and a thick stem of the same color. The sculpture stands as a tripod on two of the brown leaves and the stem so the flower faces sideways and slightly upward.
Sugiura Yasuyoshi has made flower sculptures since 2010. Most are relatively literal enlargements of flowers, closely observed and then carefully recreated in porcelain. Some of his flowers are caught at the peak of their bloom and are highly decorative. Others are depicted dried and/or gone to seed. He has also created installations of flowers. He is best known in Japan for his earlier work, which consisted of ceramic casts of stones, arranged or piled into large installations.
MUSEUM LOCATION
This item is not on view
CAPTION
Sugiura Yasuyoshi (Japanese, born 1949). Dogwood Flower, 2019. Glazed stoneware with metallic glazes, 17 3/8 × 17 3/8 × 15 in. (44.1 × 44.1 × 38.1 cm). Brooklyn Museum, Gift of Joan B. Mirviss in honor of Alan Beller, 2020.14. © artist or artist's estate (Photo: Brooklyn Museum, CUR.TL2020.13_view01-1.jpg)
IMAGE
overall,
CUR.TL2020.13_view01-1.jpg. Brooklyn Museum photograph, 2020
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
© Sugiura Yasuyoshi
The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
If you wish to contact the rights holder for this work, please email
copyright@brooklynmuseum.org and we will assist if we can.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.