Poem

Although the study of classical calligraphy focused primarily on controlling brushstrokes to create legible writing, it was considered appropriate for expert calligraphers to experiment with the basic forms and engage in self-expression. This poem, by one of Korea’s most celebrated calligraphers, is a fine example of the type of free brushwork that is informed by the rules of beautiful writing but not bound by a need for legibility. Like many calligraphers of his time, Yun Sun was also a high-ranking government minister.