Louis Comfort Tiffany (American, 1848–1933). <em>On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes</em>, 1872. Oil on canvas, 41 3/8 × 68 1/16 in. (105.1 × 172.9 cm). Brooklyn Museum, Gift of George Foster Peabody, 06.329 (Photo: Brooklyn Museum, 06.329_SL1.jpg)

Louis Comfort Tiffany (American, 1848–1933). On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes, 1872. Oil on canvas, 41 3/8 × 68 1/16 in. (105.1 × 172.9 cm). Brooklyn Museum, Gift of George Foster Peabody, 06.329 (Photo: Brooklyn Museum, 06.329_SL1.jpg)

DOWNLOAD

Download our app and ask your own questions during your visit. Here are some that others have asked.

Was this really painted by Tiffany? As in the glass artist?

Yes! This was indeed painted by Louis Comfort Tiffany, the son of Charles Tiffany, the founder of Tiffany & Co. As a young man, Louis traveled the world to study art and absorb the culture of other countries. Tiffany based this work on photographs he made in 1871, just two years after the completion of the Suez Canal had stimulated new interest in Egypt and the Middle East.

But this Louis designed the famous lamps, right?

Yes, Louis later became a renowned designer and ran a large interior decorating firm. He and his staff designed those famous stained glass lamps and other glass art later in his career. If you would like to see examples of these, we have some in our Decorative Arts collection on the 4th floor (especially in the Luce Visible Storage space).

Is this painter related to the Tiffany known for lampshades?

Yes, he is. This artist, Louis Comfort Tiffany, founded an interior design studio in New York in the 1880s. His company created everything from furniture to textiles to ceramics, but they became best-known for their innovative and artistic stained glass. Also interesting: L. C. Tiffany was the son of Charles Louis Tiffany, who founded Tiffany & Co. earlier in the 1800s.

Where does the name "Comfort" come from? My theory is that it is a reference to the religious revivalism of the Antebellum period.

It's a family name that stretches back to the middle 18th century in the Tiffany family. As to its origins and possible meanings or religious associations, I can only guess. The first Comfort in the family was Comfort Tiffany who was born in October of 1758.

Is this the glass artist?

Yes! Louis Comfort Tiffany was an accomplished and well respected painter before he turned towards glass. He traveled extensively, and painted scenes from his travels.

Though he started as a painter, he became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists.

On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes

Louis Comfort Tiffany

American Art

Late nineteenth-century European and American landscape painters often painted distant places in order to offer audiences something intriguingly unfamiliar. Louis Comfort Tiffany here recorded a view of relatively “modern” Egyptian monuments: the mosque of Muhammad ‘Ali Pasha, often called the Alabaster Mosque (built 1824–57); and the nearby tombs of the sultans of Egypt’s Baharide Mamluk dynasty (1250–1376). Tiffany based this work on photographs he made in 1871, just two years after the completion of the Suez Canal had stimulated new interest in Egypt and the Middle East.

ARTIST Louis Comfort Tiffany, American, 1848–1933

MEDIUM Oil on canvas

DATES 1872

DIMENSIONS 41 3/8 × 68 1/16 in. (105.1 × 172.9 cm) frame: 47 × 74 3/8 × 4 in. (119.4 × 188.9 × 10.2 cm) (show scale)

SIGNATURE Signed lower left: "Louis C. Tiffany"

COLLECTIONS American Art

ACCESSION NUMBER 06.329

CREDIT LINE Gift of George Foster Peabody

MUSEUM LOCATION This item is not on view

CAPTION Louis Comfort Tiffany (American, 1848–1933). On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes, 1872. Oil on canvas, 41 3/8 × 68 1/16 in. (105.1 × 172.9 cm). Brooklyn Museum, Gift of George Foster Peabody, 06.329 (Photo: Brooklyn Museum, 06.329_SL1.jpg)

IMAGE overall, 06.329_SL1.jpg. Brooklyn Museum photograph

"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.

RIGHTS STATEMENT No known copyright restrictions

This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

RECORD COMPLETENESS