Miniature Psychogeography 54
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Caption
Dustin Yellin American, born 1975. Miniature Psychogeography 54, 2015. Glass, paper collage, and acrylic, 35 x 13 3/4 x 7 3/4 in. (88.9 x 34.9 x 19.7 cm) base: 16 x 10 x 36 in. (40.6 x 25.4 x 91.4 cm). Brooklyn Museum, Gift of the artist in honor of Arnold Lehman, 2015.24a-b. © artist or artist's estate (Photo: Image courtesy of the artist, CUR.2015.24a-b_DustinYellin_photograph.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
Miniature Psychogeography 54
Date
2015
Medium
Glass, paper collage, and acrylic
Classification
Dimensions
35 x 13 3/4 x 7 3/4 in. (88.9 x 34.9 x 19.7 cm) base: 16 x 10 x 36 in. (40.6 x 25.4 x 91.4 cm)
Credit Line
Gift of the artist in honor of Arnold Lehman
Accession Number
2015.24a-b
Rights
© artist or artist's estate
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Frequent Art Questions
How did the artist make this?
The artist Dustin Yellin calls these pieces "Psychogeographies." Some of them can weigh up to 3,000-pounds and all resemble human forms suspended in glass encasements. Yellin makes them in his Red Hook studio (Shout out to Brooklyn Artists!) he layers glass with paint and various objects to create the 3-D forms and then seals them with a secret process.There is this great quote from him: Each large-scale sculpture is individually embellished with bizarre found objects—cut-up books, magazines and trash found on the street—which are then sealed within layers of glass. “Imagine if you were to make a drawing on a window,” said Yellin, explaining his process. “And then you were to take another window and glue it to that window… until you had a window sandwich. I make window sandwiches.”Why are there so many sheets of glass?
It's certainly up for interpretation (like all art is)!. This quote from the artist might help contextualize the work a bit: “Imagine if you were to make a drawing on a window. And then you were to take another window and glue it to that window… until you had a window sandwich. I make window sandwiches.”Are the pieces suspended in resin?
Interestingly, the artist keeps his exact process secret, but we do know he layers the cut paper, objects, and paint between many panes of glass and then seals them with a specially developed compound. This is a miniature version of his regular pieces, which are life-size and weigh thousands and thousands of pounds!
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