Armchair (Egyptian Revival style)
Decorative Arts and Design
On View: Luce Visible Storage and Study Center, 5th Floor
The form of this easy chair, or bergère in French, was introduced in France in about 1725 and has remained popular. To preserve the chair as a rare original upholstery document, later layers of upholstery and padding (see illustration) were removed to uncover the original upholstery on the back and arms. The original green silk damask upholstery was cleaned in place. A modern, unfigured, green silk was used to cover the seat and front of the chair, and was set behind the original damask to compensate for losses on the back and arms. All the trim on the chair is modern, but it approximates what was originally used.
MEDIUM
Rosewood, burl walnut, gilt and patinated metal mounts, original upholstery
DATES
ca. 1870
DIMENSIONS
38 1/4 x 30 x 29 in. (97.2 x 76.2 x 73.7 cm)
(show scale)
MARKINGS
Unmarked
ACCESSION NUMBER
1992.89
CREDIT LINE
Bequest of Marie Bernice Bitzer, by exchange and anonymous gift
CATALOGUE DESCRIPTION
Egyptian Revival style armchair; rosewood, burl walnut, gilt and patinated metal mounts, and original upholstery. Slightly flared back legs. Straight back stiles cant backward slightly, terminates with scroll at crest with side mounted gilt rosette mount at scroll. Outer side of back stile with narrow gilt incised vertical lines. Front of back stiles with raised central burl panels outlined in gilt above carved stylized acanthus leaf. Back of seat with rolled crest and rolled arms all deeply tufted with remnants of original dark green silk damask cover below later lighter green damask. Front arms with large gilt and patinated metal Egyptian heads with broad flat necklace above carved and gilt stylized floral motif. Stylized carved and gilt floral motif at knee. Short straight legs with gilt enamel paw sabot.
CONDITION: Largely original condition; numerous tack holes at border of wood frame. Separation of wood frame below gilt Egyptian head mounts on both sides. Surface of wood frame dirty.
CAPTION
Pottier & Stymus Manufacturing Company (United States, New York, active ca. 1859–1910). Armchair (Egyptian Revival style), ca. 1870. Rosewood, burl walnut, gilt and patinated metal mounts, original upholstery, 38 1/4 x 30 x 29 in. (97.2 x 76.2 x 73.7 cm). Brooklyn Museum, Bequest of Marie Bernice Bitzer, by exchange and anonymous gift, 1992.89. Creative Commons-BY (Photo: Brooklyn Museum, CUR.1992.89_back.jpg)
IMAGE
back, back,
CUR.1992.89_back.jpg. Brooklyn Museum photograph, 2010
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
Creative Commons-BY
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we welcome any additional information you might have.
Why does this chair have Egyptian pharaohs in the arm rests?
This was made in the late 19th century, a time when Western designers took inspiration from a range of so-called "exotic" cultures. In the galleries you can see the influence of Japan, Greece, India, etc. Egyptian motifs became especially fashionable in New York after Verdi's opera "Aida" debuted in NYC in 1873.
Was this made in America?
Yes, in fact it was made in New York City! This was probably part of a larger suite of furniture in the Egyptian Revival style. By the time this chair was made in the 1870s, Pottier and Stymus employed hundreds of workers and had many distinguished clients including President Ulysses Grant and Thomas Edison.
Did a king or queen sit on this throne?
That chair is very beautiful, but no, it did not belong to a king or queen. It is a late 19th century example of Egyptian Revival. It would have been part of a suite of seating furniture in the parlor of an exceedingly rich person.