Unite

Barbara Jones-Hogu

Brooklyn Museum photograph

Caption

Barbara Jones-Hogu American, 1938–2017. Unite, 1971. Screenprint on paper, image: 22 1/2 x 30 in. (57.2 x 76.2 cm) frame: 32 5/8 x 40 13/16 x 1 13/16 in. (82.9 x 103.7 x 4.6 cm). Brooklyn Museum, Dick S. Ramsay Fund, 2012.46. © artist or artist's estate (Photo: Brooklyn Museum, 2012.46_PS6.jpg)

Gallery

Not on view

Collection

American Art

Title

Unite

Date

1971

Medium

Screenprint on paper

Classification

Print

Dimensions

image: 22 1/2 x 30 in. (57.2 x 76.2 cm) frame: 32 5/8 x 40 13/16 x 1 13/16 in. (82.9 x 103.7 x 4.6 cm)

Signatures

Unsigned

Markings

Stamped by AfriCOBRA

Credit Line

Dick S. Ramsay Fund

Accession Number

2012.46

Rights

© artist or artist's estate

The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here. The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org. If you wish to contact the rights holder for this work, please email copyright@brooklynmuseum.org and we will assist if we can.

Frequent Art Questions

  • What does this say?

    There is a strong relationship between text and image in this print. Jones-Hogu has formed the background out of the repeated word "UNITE." The image conveys the sense of energy and community within the AfriCOBRA coalition.
    The Black Power fist was a popular image with artist of the group. It communicates volumes with a single gesture. If you look closely, you'll see a woman wearing an ankh earring, which was a popular symbol for its connection to Africa.
  • Why is the light on these artworks so much darker than the light on other art in this gallery?

    You're very perceptive. Works on paper, like these prints (watercolors would also fall into this category) are very sensitive to light and fade very easily. The light is kept low to help preserve the artworks. Works on paper cannot be exposed to light for long periods of time either. After this exhibition they will be returned to dark storage to "rest."
    Okay. Thank you. I noticed the dresses are displayed nearby. Does fabric have the same light issues?
    Textiles do share a lot of the same concerns. Temperature and humidity are also major considerations.

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