Teapot with Lid

Marion Anderson Noyes

1 of 2

Object Label

Caption

Marion Anderson Noyes American, 1907–2002. Teapot with Lid, ca. 1933. Pewter, walnut, 6 3/4 x 8 5/8 x 5 3/8 in. (17.1 x 21.9 x 13.7 cm). Brooklyn Museum, Gift of Marion Anderson Noyes, 1991.258.1a-b. Creative Commons-BY (Photo: Brooklyn Museum, CUR.1991.258.1a-b.jpg)

Title

Teapot with Lid

Date

ca. 1933

Geography

Place manufactured: Madison, Wisconsin, United States

Medium

Pewter, walnut

Classification

Food/Drink

Dimensions

6 3/4 x 8 5/8 x 5 3/8 in. (17.1 x 21.9 x 13.7 cm)

Markings

On bottom of teapot, etched in script: "Marion Louise Anderson" (name underscored with two etched lines)

Credit Line

Gift of Marion Anderson Noyes

Accession Number

1991.258.1a-b

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Can I learn more about this teapot? Was it part of a specific movement?

    Of course! Modernism was a movement in the early 20th century, when designers rejected the traditional and ornamented styles of the previous century, in favor of radically simplified forms. Designers such as Marion Anderson Noyes created objects that captured the machine age; the smooth, undecorated surface of this teapot not only suited mass-production, but would have been admired for its emphasis on functionality. Despite the teapot's simplicity, there are a few flourishes- I like the way that the spout flares out gracefully.

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