All' Ave Maria
John Singer Sargent
American Art
All’Ave Maria, whose title references late afternoon vespers, depicts the church and school of Santo Spirito, adjacent Renaissance structures facing the promenade on the Zattere. This is one of Sargent’s more rapidly executed watercolors, painted without any preparatory drawing and executed wet into wet, so that strokes bled into one another. Forms such as the boats and figures are suggested by loose, almost abstract brushwork. The artist’s use of wet wiping to lift color off the paper is evident in the variable blue of the sky.
MEDIUM
Translucent watercolor and touches of opaque watercolor
DATES
ca. 1902–1904
DIMENSIONS
10 x 14 1/16 in. (25.4 x 35.7 cm)
frame: 17 3/4 x 23 7/8 x 1 3/8 in. (45.1 x 60.6 x 3.5 cm)
(show scale)
MARKINGS
not visible
SIGNATURE
Unsigned
ACCESSION NUMBER
09.806
CREDIT LINE
Purchased by Special Subscription
MUSEUM LOCATION
This item is not on view
CAPTION
John Singer Sargent (American, born Italy, 1856–1925). All' Ave Maria, ca. 1902–1904. Translucent watercolor and touches of opaque watercolor, 10 x 14 1/16 in. (25.4 x 35.7 cm). Brooklyn Museum, Purchased by Special Subscription, 09.806 (Photo: Brooklyn Museum, 09.806_PS6.jpg)
IMAGE
overall, 09.806_PS6.jpg. Brooklyn Museum photograph, 2012
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.