Indian Warrior

Alexander Phimister Proctor

Brooklyn Museum photograph

Caption

Alexander Phimister Proctor American, 1862–1950. Indian Warrior, 1898. Bronze, 19 1/4 x 14 3/4 x 4 1/2 in., 26.6 lb. (48.9 x 37.5 x 11.4 cm, 12.07kg). Brooklyn Museum, Gift of George D. Pratt, 12.898. Creative Commons-BY (Photo: Brooklyn Museum, 12.898_bw.jpg)

Title

Indian Warrior

Date

1898

Geography

Place made: United States

Medium

Bronze

Classification

Sculpture

Dimensions

19 1/4 x 14 3/4 x 4 1/2 in., 26.6 lb. (48.9 x 37.5 x 11.4 cm, 12.07kg)

Signatures

Inscribed on top of base at proper left side: "A. PHIMISTER PROCTOR" and on back end of base "COPYRIGHT 1898"

Credit Line

Gift of George D. Pratt

Accession Number

12.898

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Can you tell me more about this sculpture?

    This beautiful bronze sculpture was made by Alexander Phimister Proctor and is titled "Indian Warrior." It was made in 1898 and it actually has a copyright symbol on the bottom. Proctor was a well known sculptor of nnimals and made numerous copies of his works for sale (as many artists of the time did).
    When Proctor was preparing to make this work, he traveled to a Blackfeet reservation in Montana. One of his models was a Blackfoot man named Weasel Head, but this work goes beyond portraiture, showing its subject as an idealized, heroic type.

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